Maggie: A Girl of the Streets and Other Writings About New York (Barnes & Noble Classics Series) by Stephen Crane Read Free Book Online Page A

and laid him to sleep with his fists doubled in an old quilt of faded red and green grandeur. Then she came and moaned by the stove. She rocked to and fro upon a chair, shedding tears and crooning miserably to the two children about their “poor mother” and “yer fader, damn ’is soul.”
    The little girl plodded between the table and the chair with a dish-pan on it. She tottered on her small legs beneath burdens of dishes.
    Jimmie sat nursing his various wounds. He cast furtive glances at his mother. His practised eye perceived her gradually emerge from a muddled mist of sentiment until her brain burned in drunken heat. He sat breathless.
    Maggie broke a plate.
    The mother started to her feet as if propelled.
    “Good Gawd,” she howled. Her eyes glittered on her child with sudden hatred. The fervent red of her face turned almost to purple. The little boy ran to the halls, shrieking like a monk in an earthquake.
    He floundered about in darkness until he found the stairs. He stumbled, panic-stricken, to the next floor. An old woman opened a door. A light behind her threw a flare on the urchin’s quivering face.
    “Eh, Gawd, child, what is it dis time? Is yer fader beatin’ yer mudder, or yer mudder beatin’ yer fader?”

III

    JIMMIE AND THE OLD woman listened long in the hall. Above the muffled roar of conversation, the dismal wailings of babies at night, the thumping of feet in unseen corridors and rooms, mingled with the sound of varied hoarse shoutings in the street and the rattling of wheels over cobbles, they heard the screams of the child and the roars of the mother die away to a feeble moaning and a subdued bass muttering.
    The old woman was a gnarled and leathery personage who could don, at will, an expression of great virtue. She possessed a small music-box capable of one tune, and a collection of “God bless yehs” pitched in assorted keys of fervency. Each day she took a position upon the stones of Fifth Avenue, where she crooked her legs under her and crouched immovable and hideous, like an idol. She received daily a small sum in pennies. It was contributed, for the most part, by persons who did not make their homes in that vicinity.
    Once, when a lady had dropped her purse on the sidewalk, the gnarled woman had grabbed it and smuggled it with great dexterity beneath her cloak. When she was arrested she had cursed the lady into a partial swoon, and with her aged limbs, twisted from rheumatism, had almost kicked the stomach out of a huge policeman whose conduct upon that occasion she referred to when she said: “The police, damn ’em.”
    “Eh, Jimmie, it’s cursed shame,” she said. “Go, now, like a dear an’ buy me a can, an’ if yer mudder raises ’ell all night yehs can sleep here.”
    Jimmie took a tendered tin-pail and seven pennies and departed. He passed into the side door of a saloon and went to the bar. Straining up on his toes he raised the pail and pennies as high as his arms would let him. He saw two hands thrust down and take them. Directly the same hands let down the filled pail and he left.
    In front of the gruesome doorway he met a lurching figure. It was his father, swaying about on uncertain legs.
    “Give me deh can. See?” said the man, threateningly.
    “Ah, come off! I got dis can fer dat ol’ woman an’ it ’ud be dirt teh swipe it. See?” cried Jimmie.
    The father wrenched the pail from the urchin. He grasped it in both hands and lifted it to his mouth. He glued his lips to the under edge and tilted his head. His hairy throat swelled until it seemed to grow near his chin. There was a tremendous gulping movement and the beer was gone.
    The man caught his breath and laughed. He hit his son on the head with the empty pail. As it rolled clanging into the street, Jimmie began to scream and kicked repeatedly at his father’s shins.
    “Look at deh dirt what yeh done me,” he yelled. “Deh ol’ woman ’ill be raisin’ hell.”
    He retreated to the middle of the