all of us.
The snake has had enough. It dashes off, and Dad scoops me up in his arms. Itâs over that fast. By the time my younger self begins to cry, everything is back tonormal, and thereâs nothing to cry about. I might have forgotten the whole thing except for the conversation I overhear when Iâm in bed that night:
âWhy did you hesitate?â my mother demands. âHe weighs forty pounds, Peter! A snakebite would have killed him for sure!â
âIt was a diamondback, Tina,â is my fatherâs response. âA little one, tooâyou know the venom is more concentrated in the very young! What was I supposed to doâget bitten myself?â
âIf necessary,â Mom replies readily. âYou know how valuable he is.â
I hear Dad sigh. âYouâre right. Iâm sorry.â
Valuable . When they yell at me, or roll their eyes at me; when they ground me for some minor thing that isnât even my fault, I remember that word and hang on to it. When I see another family having fun in a way we never do, I picture how Momâs lips must have moved to form those precious syllables.
Iâm valuable .
If thatâs not love, what is it?
6
TORI PRITEL
The Purple People Eaters arenât really purple. Their uniforms are more like a deep blue-violet. Look closely and youâll see it too.
I notice things other people miss. I think itâs because Iâm an artist, so I have an eye for detail. You know the smokestacks at the Plastics Works? You never see any smoke coming out of them. My parents say itâs because the factory is a green industry that doesnât pollute. Steve (aka Dad) says they switched over in 1978. Weâre ahead of our time in Serenity.
Itâs important because Amber and I are doing a mural for our Serenity Day project. If thereâs anything coming out of the chimneys, it would be wrong. We want this to be as authentic as possible. I hope it goes better than thebook we were writing together. She says my pictures donât match her story, when itâs obvious her story doesnât match my pictures. We got into a pretty big argument about that for about fifteen or twenty minutes, until this song we both like came on the radio. Amber and I fight a lot, but twenty minutes is kind of our maximum. She claims Iâm immature because, at thirteen, sheâs technically a teenager and Iâm still twelve. Sheâs really only seven months older than me, but she never fails to make a big deal out of it. She says Iâm too sensitive, but Iâm obviously not. (She also says I use the word obvious too much. She might be right about that one.)
I have an artistâs studio in our attic. Dad set it up for me. Thereâs a window with a great view of the whole town and Carson National Forest in the background. At dusk, the light on the distant mountain faces reminds me of glowing amethyst.
Come to think of it, the Purplesâ uniforms have some of that too. Dark amethyst. Is that a real color? (Is there such a thing as light amethyst? Iâll have to check.)
In the foreground weâve decided to draw a cross section of our citizens. Obviously, we canât pose everybody, so weâre collecting photographs to use as models. Itâs pretty interesting to look at still pictures of people yousee on a daily basis. Mr. Amani, whoâs more than a foot taller than his wife; Dr. Bruder with his goofy bow ties; Kurt Osterwaldâs bright red hair, which is a perfect match for his dadâs. Then thereâs Eli, whoâs as dark as his father is fair. Iâll bet his momâs hair was jet-black. Not that Iâm anyone to talk. I look nothing like either of my parents. My dad insists that he found me on eBay. Heâs joking, obviously. He calls me Torific and I call him Steve.
âI think it would be more appropriate for my twelve-year-old daughter to address me as Dad,â he tells