entered late, and taken a vacant chair beside him. To the others present, the new-comer paid no heed, to Maurice he murmured an absent greeting, and then, having called for beer and emptied his glass at a draught, he appeared mentally to return whence he had come, or to engage without delay in some urgent train of thought. His movements were noiseless, but startlingly abrupt. Thus, after sitting quiet for a time, his head in his hands, he flung back in his seat with a sort of wildness, and began to stare fixedly at the ceiling. His face was one of those, which, as by a mystery, preserve the innocent beauty of their childhood, long after childhood is a thing of the past: delicate as the rosy lining of a great sea-shell was the colour that spread from below the forked blue veins of the temples, and it paled and came again as readily as a girl's. Girlish, too, were the limpid eyes, which, but for a trick of dropping unexpectedly, seemed always to be gazing, in thoughtful surprise, at something that was visible to them alone. As to the small, frail body, it existed only for sake of the hands: narrow hands, with long, fleshless fingers, nervous hands, that were never still.
All at once, in a momentary lull, he leant towards Maurice, and, without even looking up, asked the latter if he could recall the opening bars of the prelude to TRISTAN UND ISOLDE. If so, there was a certain point he would like to lay before him.
"You see, it's this way, old fellow," he said confidentially. "I've come to the conclusion that if, at the end of the third bar, Wagner had——"
"Throw him out, throw him out!" cried an American who was sitting opposite them. "You might as well try to stop a nigger in heat as Krafft on Wagner."
"That's so," said another American named Ford, who, on arriving, had not been quite sober, and now, after a few glasses of beer, was exceedingly tipsy. "That's so. As I've always said, it's a disgrace to the township, a disgrace, sir. Ought to be put down. Why don't he write them himself?"
From the depths of his brown study, Krafft looked vaguely at the speakers, and checked, but not discomposed, drew out a notebook and jotted down an idea.
Meanwhile, at the far end of the table, Boehmer and a Russian violinist still harped upon the original string. And, having worked out Schilsky, they passed on to Zeppelin, his master, and the Russian, who was not Zeppelin's pupil, set to showing with vehemence that his "method" was a worthless one. He was barely started when a wiry American, in a high, grating voice, called Schilsky a wretched fool: why had he not gone to Berlin at Easter, as he had planned, instead of dawdling on here where he had no more to gain? At this, several of the young men laughed and looked significant. Furst—he had proved to be a jolly little man, who, with unbuttoned vest, absorbed large quantities of beer and perspired freely—Furst alone was of the opinion, which he expressed forcibly, in his hearty Saxon dialect, that had Schilsky left Leipzig at this particular time, he would have been a fool indeed.
"Look here, boys," he cried, pounding the table to get attention. "That's all very well, but he must have an eye to the practical side of things, too——"
"DER BIEDERE SACHSE HOCH!" threw in Boehmer, who was Prussian, and of a more ideal cast of mind.
"—and a chance such as this, he will certainly never have again. A hundred thousand marks, if a pfennig, and a face to turn after in the street! No, he is a confounded deal wiser to stay here and make sure of her, for that sort is as slippery as an eel."
"Krafft can tell us; he let her go; is she?—is it true?" shouted half a dozen.
Krafft looked up and winked. His reply was so gross and so witty that there was a very howl of mirth.
"KRAFFT HOCH, HOCH KRAFFT!" they cried, and roared again, until the proprietor, a mild, round-faced man, who was loath to meddle with his best customers, advanced to the middle of the floor, where he stood smiling