artwork hanging on the lobby walls. She stepped closer to oneparticular painting. Her eyes widened as she recognized the work of Julian Onderdonk, one of the most highly acclaimed Texas artists of the twentieth century.
Heâd always been a favorite of Emmaâs because his work captured the subtle beauty of south Texas. Sheâd encouraged her father to purchase three of his paintings. Heâd hung them in his study and often remarked that although they hadnât appealed to him when heâd first bought them, he came to appreciate the landscapes more every day.
âCan I help you?â the young woman at the reception desk inquired.
âIn just a second.â Emma moved on to the next painting.
Adrian Brewer, she mused. Painted in the late twenties. Emma admired the field of bluebonnets that drifted off into the expansive Texas horizon. Someone with a discerning eye shared her appreciation for early Texas artists. Who was the collector?
âDo you have an appointment?â the receptionist continued, her brisk tone disturbing Emmaâs reflective mood.
Art always had a powerful, soothing effect on her, and right now, she needed all the calm she could muster.
âI think sheâs here to see me,â a familiar, masculine voice replied.
Nathan came to stand behind her right shoulder, close enough for her to feel the tension in his muscles. The hair on her arms lifted as if she stood in close proximity to a lightning strike. She froze, dazzled by the effect the man had on her.
How easy it would be to lean back against him and be enfolded in his arms, to let him take away her worries and drown her doubts in deep, drugging kisses. She inhaled his scent, a subtle blend of sandalwood soap and lavender shampoo, and recalled how his hair had felt between her fingers as sheâd gripped him tight and encouraged him to feast on her. A groan collected in her throat. She eased her eyes shut to capture the memory and hold it tight.
âI always considered Julian Onderdonk the master of the bluebonnet,â she said, grateful to hear the steadiness of her voice. Now if only she could count on the rest of her body to follow suit. âBut after seeing Brewerâs interpretation, I might have to change my mind.â
âI wouldnât know anything about that,â he retorted, clipping off the words with an impatience that banished her sensual daydreaming. âWe buy purely for investment purposes.â
Emmaâs eyes flashed open. She glanced up at his forbidding profile. He appeared preoccupied with the painting. Despite his grim expression, she detected a hint of softness in his lips. The gentleness vanished a second later as his flat, gray eyes slashed to her. Her pulse jerked.
Seizing her by the elbow, he drew her down the hall that stretched away from the receptionistâs desk. The speech sheâd prepared vanished at his touch. She was at a loss for words, wishing his impersonal grip didnât affect her so acutely.
The hall buzzed with activity, but Emma might have been blind and deaf for all the attention she paid. She couldnât concentrate on anything but Nathan and the annoyance radiating from him. Clearly, this had been a mistake.
He steered her into a huge office and abandoned her in the middle of the space. While he crossed to his desk, Emma glanced around. The walls held more artwork, this of a modern flavor, by artists whose work she didnât recognize. Half a dozen canvases sat propped against an end table. Yet as compelling as her curiosity about the art was, the man who owned it captivated her more.
Nathan stood before the wall of windows, hands clasped behind his back, and surveyed downtown Houston. The broad shoulders sheâd caressed and clung to appeared no less intimidating encased in a charcoal-gray suit coat that matched his eyes. Sunlight stabbed through the window and drew forth the gold in his brown hair.
âTo what do I owe the