said pleasantly, exhaling a cone of smoke.
"What you said before."
"Said before?"
"Now we must kill—not incidentally."
The dark eyes looked up at her. She felt dizzy, weak, pulled as though drowning in a sea of dark eyes. "You've a right to be informed, Miss Hunter. After all, all of us are cogs in the machinery. There must now be killings with a purpose. The boy, Kuryakin, and Solo."
"Oh, no!"
"Yes."
"But why? What possible purpose?"
The dark eyes remained fixed on her. "Stanley will be delivered, and Solo taken. You heard me on the telephone. Solo will be locked in with the other two."
"You told him it would be for an hour."
He sipped, smoked, looked back to her. "He will be placed in the room with the other two. The ventilation vents will be closed off. A cyanide pellet will be exploded in the room, injected through the slide-slot, the slot then instantly shut. Death will be quick, merciful, no suffering. Then we'll immediately take off—we four—in the helicopter."
The huge helicopter was there now, waiting, fueled and already packed with their things, on the wide private beach at the rear of the house. The house was a half-mile in from the road. The back had the beach and the ocean; the other three sides had paths, lawns, trees, sculptured gardens. The entire estate was surrounded by a high, iron, picket fence which, in an emergency, could be electrified.
"But why?" she asked again.
"Why what?" Angrily he pushed away the coffee mug; it tilted, then turned over, and the dregs of the coffee spilled. She brought a towel from the kitchen, wiped the table, and took the things away. When she came back he was standing, smiling, leaning against a baby grand piano, smoking a new cigarette. "I'm sorry," he said. His voice was back under control. The dark eyes were now narrow, wrinkled, amused. Softly he said, "What was it we were discussing, my dear?"
"Murder. Senseless murder."
"Murder must never be senseless. That, too, I'd advise you to repeat over and over again. Your second lesson for today."
"But to kill them?"
"Not senseless."
"Why not as you told him? An exchange. Stanley for them. Mr. Solo to be locked in with the other two for an hour. An hour. Two hours. Whatever. Wouldn't that provide our margin for safety?"
"One hour would be enough."
"Then why?"
"We all learn. Even I. We're never too old to learn, not one of us. Just as you're learning today from me, so have I learned from Leslie Tudor. Passion for anonymity. That's not just some stock remark. That's not a bright saying made for the purpose of sounding clever. It has depth, meaning, merit. Anonymity—that's why Albert Stanley was chosen for this job. It has made him unique—his great capacity to blend, to be another blade of grass in an orchard, another tree in a forest, another grain of sand in a desert, to be anonymous, unknown, an unrecognizable part of the whole. Somehow his anonymity failed him; somehow he was recognized; and that made the rest of it easy for them. We don't have to be geniuses to know that. He was recognized, followed, caught in the act doing his work, apprehended. The point is, he was recognized! That resulted in our failure and Leslie's bitter disappointment."
"What's that to do with this?"
"What?" There was annoyance again in Burrows' voice.
"With murder, cold-blooded murder?"
"Anonymity. Not to be recognized. It is a form of self-preservation––even for you, my dear. You are a part of a secret organization, but always remember: Secret is the key word for your very own protection and self-preservation." He moved away from the piano and crushed out his cigarette in an ashtray. "Kuryakin and young Winfield have seen you and have seen me; alive, they can recognize us in the future. No good. Solo has seen Stanley, and he will see me; alive, he can recognize us in the future. No good. The fewer from their side that see and know and can recognize, the safer it is for those of us on our side. Not senseless murder, my
Marguerite Henry, Bonnie Shields