a faint hunger that gnaws at my heart rather than my belly.
And while I am not terrified like I was as a child, I do feel lost and confused, afraid I will be pushed down a path I’ve no wish to take. Now more than ever, I need His guidance.
The dim light of the pale moon casts everything in shades of black and silver. Our processional is accompanied by the crashing of the waves against the rocky shore and the moaning of the wind, which whips at our cloaks so that they flap like the wings of the crow Sister Widona carries in a twig cage.
As we make our way through long-dead scrub grass and jagged boulders covered with lichen, I think upon the many tales of the ill-fated love between Mortain and Amourna and why winter comes to our land. Each of the nine bishoprics of Brittany has its own tale of how Mortain did—or did not—capture the fair Amourna. In the land where the patron saint of travelers was born, it is said that Death traveled far and wide looking for a love that would survive even His dark realm. He thought He’d found it in Amourna, but in the end, the love she bore Him was too fragile to survive Death, and thus He travels the land, mourning for her.
The followers of Saint Brigantia claim it was Mortain’s quest for full knowledge of life that led Him to seek Amourna out and open His heart to her, for how can one truly understand life without knowing love?
Those who have dedicated themselves to Saint Mer say that Death gazed upon the goddess of the sea and was smitten, but He could not follow her to her realm, nor she to His, so He settled for Amourna, who mourns being a second choice for all eternity.
In those places where Saint Salonius, the god of mistakes, is well loved and worshiped, they say that it was all a mistake, some trick of fate. Some even claim that Salonius himself had a hand in it.
Those who still honor Dea Matrona claim that Death was once Matrona’s consort, and life and death were one. But with the coming of the new god, she cast Death out in order to find a place in the new church. Thus scorned, Death turned to her daughter Amourna for comfort, and it is not Matrona’s sorrow that causes winter to blow its harsh winds over the land but her jealous heart.
It is only the followers of Saint Arduinna who have nothing to say on the matter, for while their goddess was there and surely they know what truly happened, out of respect for both Arduinna’s sister and her mother, they choose not to contradict either story.
The true story—the one we learn here at the convent—is that Death came upon Amourna and her twin sister, Arduinna, in a meadow, and that He was instantly taken with Amourna’s loveliness. Mistrustful of the way Mortain was looking at her sister, Arduinna drew her bow and let fly one of her sharp arrows, which pierced Mortain’s heart. But not even a goddess can kill the god of Death. He simply plucked the arrow from His chest, then bowed and thanked her for reminding Him that love never comes without cost. Surprised by His demeanor, she consented to let her sister ride with Him to His home.
The rest of the world believes that winter comes because either Dea Matrona or Amourna is mourning her loss. We who worship Mortain know that neither is true. We know that when the night is at its longest and darkness reigns, Mortain journeys back to our world from His own, and winter follows on His heels simply because it is His own true season.
Tonight’s ceremony feels different from all the ones that have come before, as if I am walking along the edge of some knife I cannot see. On one side lies the future I have always dreamed of, serving Mortain as an instrument of Death in the world of men. If that comes to pass, I will never be part of our midwinter celebration again. None of the other initiates have ever returned for it, and that thought brings me great sadness.
On the other side of the blade lies the future I do not wish for myself—that of seeress. And even if that