as fast as heâd squandered it over the past year, but he was too ashamed to admit that to his uncle or anyone else.
âYou arenât working in no car factory or turpentine still or cotton patch, are you?â
âHell no.â
Uncle Bob shifted in his seat, and Willie could feel it coming: The Lecture, The Black Bourgeoisie Pep Talk. He didnât want to hear it again, and suddenly he was angry. Angry at his uncle for buying into all that up-by-the-bootstraps, Booker T. Washington horseshit. Angry at himself for getting painted into a corner and having to take the lowly busboy job. Angry at the white man for setting up the game so the black manâs only choices were between bad and worse, between wrong, wronger and wrongest. Yes, he was back in that familiar purgatory.
Before his uncle could launch into The Lecture, Willie cut him off. âYou ever read Paul Laurence Dunbar by any chance?â Willie assumed he had, for as much as Uncle Bob was a driven man and a believer in the system, he was no black Babbitt. Heâd put himself through night school at Wayne State and he still found time to read serious books, attend symphony concerts, visit the Institute of Arts. He was active in Detroitâs Democratic Party and had just been named a delegate to the upcoming convention in Chicago. Bob Brewerâs biggest worry was not that President Johnsonâs Great Society was an expensive joke, but that by choosing not to seek re-election Johnson had ceded the White House to the Republicans. It had long ago stopped mattering to Willie which white man lived in the White House.
âSure,â Bob said. â Lyrics of a Lowly Life . All those stories in dialect.â Suddenly he slipped into a respectable darkie-on-the-plantation dialect: ââAnâ ez fur boss, Iâll be my own, I like to jest be let alone . . .â Dunbar was a man after my own heart.â
âAnd look at him,â Willie said. âCat as gifted as that, wanted to go to Harvard Law School, wound up as an elevator operator in Dayton, Ohio, making four dollars a week. I think of a guy like Paul Laurence Dunbar and I ask myself whatâs the use of dreaming?â
âYou think he let that elevator job stop him from dreaming? And writing?â
âI got no idea.â
âYou know damn well he didnât. You want to know whatâs the use of dreaming? Iâll tell you. Once you stop doing it, youâre a dead man.â
âWell then, I guess that means Iâm a dead man.â
But his uncle didnât hear him. He was already delivering The Lecture. âHow you think I managed to pay cash for this Electra? By saving my tips and playing the numbers? Hell no. I had a dream, and even more important I had a planâand I stuck to it. I bought up apartment buildings dirt-cheap when the white folks got scared and started moving away from the West Side. Then I rented them to Negroes. That riot was the best thing ever happened to me. All my buildings were fully insured, and with the money I got on the four that burned down I turned around and bought six more. And this car.â
It was madness, Willie thought. Even Mr. Clean here was unclean, feeding off the fears of the white man while bleeding the black man. âIf youâre so flush, Uncle Bob, why donât you lower my rent? And quit that boge waiterâs job while youâre at it?â
He ignored this too. He was talking about his friend Berry Gordy, who was minting money at his record company on West Grand Boulevard. Then he talked about another friend, the black Congressman John Conyers, smart as a whip, a man going places. Then he talked about the classes he was taking at U. of D. toward getting his own real estate license so he could start buying and selling property without giving a cut to Mr. Charlie. Be his own boss, just like Paul Laurence Dunbar.
But Willie had tuned him out. He was thinking about how to get
Justine Davis, Rachel Lee