grovel.
âGood, thatâs settled then.â The General Manager screwed up the Stage Managerâs report and threw it into his waste paper basket. âYou know, I think part of the trouble for you is that youâve got so little to do in this show.â
âMaybe. I think we should try to get you more involved in the company. Perhaps thereâll be a part in another of our forthcoming productions.â
âWell, thatâd be very . . .â
âIâll see what I can do.â
At that moment the intercom on Donaldâs desk buzzed and a female voice crackled, âMrs Feller in the foyer. She wants to come and see you about
Shove It
.â
âOh God. Okay, send her up.â Donald Mason rose from his desk and straightened his tie. âHave you come across the redoubtable Mrs Feller, Charles?â
âNo.â
âYou will. Sheâs Rugland Spaâs answer to Mrs Whitehouse. A one-woman Puritan Backlash, who only comes to the theatre to count the number of letters in the words.â
âSo she isnât going to care for
Shove It
.â
âNo. Thereâll be protest meetings, picketings, strong letters to the local paper . . . Honestly, what a bloody stupid choice of play for Rugland Spa. Over half the populationâs past retirement age â theyâre hardly going to lap up the Anglo-Saxon diatribes of Royston Everett.â
âThe theatreâs got to do some modern stuff.â
âModern, yes, but it doesnât have to be obscene. I sometimes think Tonyâs judgement has gone completely. Heâs just lost touch with reality.â He shook his head ruefully. âStill, again not your problem, Charles. Anyway, with regard to you, weâll leave things as they are â Okay?â
âYes. Thank you very much.â
âAnd if Tony ââ
Donald Mason was interrupted by a knock on the door. âThatâll be Mrs Feller. This is obviously the early stage of her campaign â she still bothers to knock. Itâll get worse.â
He extended his hand to the actor. âThanks for coming in, Charles. Iâm relying on you, so keep it up.â
Considering the circumstances, Charles reflected, the General Managerâs final cliché was singularly inapposite.
Well-being flooded through Charles. Partly it was the first symptom of recovery from his hangover, that breakthrough moment when continuing existence first seems a possibility. When he had woken, three hours previously, the movement from horizontal to vertical had seemed insuperable, and yet here he was, on two feet, moving around, suffering from nothing worse than a light headache playing around his temples. He was even feeling hunger, a sensation which he thought had abandoned his body for ever.
He went into a little café near the theatre and tucked into an espresso coffee and two jam doughnuts.
Of course the euphoria wasnât just physical. The interview with Donald Mason had contributed enormously. Though heâd thought heâd wanted the catharsis of dismissal, he was deeply relieved to have been spared it. Basically he had a respect for his profession and was disgusted by his unprofessional behaviour.
And the surprise of how he had misjudged the General Managerâs character added an extra glow.
All he had to do was to behave impeccably for the remainder of the run of
The Message Is Murder
.
And sort out where he stood with Frances.
There was a payphone in the café. But there was still no reply from his wifeâs number at her new flat in Highgate.
Still, she was unlikely to be there at twelve oâclock in the morning. If it was term-time, sheâd be hard at work at the school where she was headmistress. And if it was half-term or holiday . . . oh God, he could never remember when they came. Francesâ life was always sliced up into neat segments by these academic dividers, while his own remained a shifting