ago.â
âWere these letters destroyed?â
âNo, I think Iâve got a couple still in my filesâone I know Ratchett tore up in a rage. Shall I get them for you?â
âIf you would be so good.â
MacQueen left the compartment. He returned a few minutes later and laid down two sheets of rather dirty notepaper before Poirot.
The first letter ran as follows:
âThought youâd doublecross us and get away with it, did you? Not on your life. Weâre out to GET you, Ratchett, and we WILL get you!â
There was no signature.
With no comment beyond raised eyebrows, Poirot picked up the second letter.
âWeâre going to take you for a ride, Ratchett. Some time soon. Weâre going to GET you, see?â
Poirot laid the letter down.
âThe style is monotonous!â he said. âMore so than the handwriting.â
MacQueen stared at him.
âYou would not observe,â said Poirot pleasantly. âIt requires the eye of one used to such things. This letter was not written by one person, M. MacQueen. Two or more persons wrote itâeach writing a letter of a word at a time. Also, the letters are printed. That makes the task of identifying the handwriting much more difficult.â
He paused, then said:
âDid you know that M. Ratchett had applied for help to me?â
âTo you? â
MacQueenâs astonished tone told Poirot quite certainly that the young man had not known of it. He nodded.
âYes. He was alarmed. Tell me, how did he act when he received the first letter?â
MacQueen hesitated.
âItâs difficult to say. Heâheâpassed it off with a laugh in that quiet way of his. But somehowââhe gave a slight shiverââI felt that there was a good deal going on underneath the quietness.â
Poirot nodded. Then he asked an unexpected question.
âMr. MacQueen, will you tell me, quite honestly, exactly how you regarded your employer? Did you like him?â
Hector MacQueen took a moment or two before replying.
âNo,â he said at last. âI did not.â
âWhy?â
âI canât exactly say. He was always quite pleasant in his manner.â He paused, then said, âIâll tell you the truth, Mr. Poirot. I disliked and distrusted him. He was, I am sure, a cruel and a dangerous man. I must admit, though, that I have no reasons to advance for my opinion.â
âThank you, M. MacQueen. One further questionâwhen did you last see M. Ratchett alive?â
âLast evening aboutââhe thought for a minuteââten oâclock, I should say. I went into his compartment to take down some memoranda from him.â
âOn what subject?â
âSome tiles and antique pottery that he bought in Persia. What was delivered was not what he had purchased. There has been a long, vexatious correspondence on the subject.â
âAnd that was the last time M. Ratchett was seen alive?â
âYes, I suppose so.â
âDo you know when M. Ratchett received the last threatening letter?â
âOn the morning of the day we left Constantinople.â
âThere is one more question I must ask you, M. MacQueen: were you on good terms with your employer?â
The young manâs eyes twinkled suddenly.
âThis is where Iâm supposed to go all goosefleshy down theback. In the words of a best seller, âYouâve nothing on me.â Ratchett and I were on perfectly good terms.â
âPerhaps, M. MacQueen, you will give me your full name and your address in America.â
MacQueen gave his nameâHector Willard MacQueen, and an address in New York.
Poirot leaned back against the cushions.
âThat is all for the present, M. MacQueen,â he said. âI should be obliged if you would keep the matter of M. Ratchettâs death to yourself for a little time.â
âHis valet, Masterman, will have to