Waiting a few hours wonât make a difference.â
âA few hours? I canât believe it,â Elovitz said with disgust, but he put the phone in his pocket.
Mortâs phone rang and he turned his back on us.
âI knew she was going to be trouble,â Elovitz said, pacing back and forth in front of the set. âZee was completely freaked out that we were going to work with herâhe was psychedâbut I told Chattergee she was all wrong for the part, past her prime, too difficult.â He stopped and looked at me. âYou know this picture is important to me. Itâs my chance to go mainstream. The last thing we needed was a prima donna and a condensed shooting schedule. Itâs a disastrous combination.â
âThen why did you cast her?â I asked.
âShe was a name. Besides, he wouldnât make the film without her.â
âWho?â
âChattergee. He owed her. I donât know what their deal was. He canât stand her, but still he insisted she was the only one to play the role.â Elovitz threw up his hands. âWhat am I supposed to do now?â
Mort disconnected his call and turned toward us. âThey should be here any minute,â he said. âThey got tied up directing traffic around the streets that are blocked off.â He scowled at the director. âYou realize when my men get here, your continuity is going to be shot to hell,â he said.
âIt doesnât matter,â Elovitz said, flapping his arms. âWeâll have to reshoot her scenes anyway when we get a new actress for her role. What a mess!â
Mort pulled a pad from his hip pocket. âWhile weâre waiting, letâs get some of the facts down for my report.â He looked around. âWhereâs the other one?â
âEstelle Fancy?â I said.
âYeah, the lady astrologer. Where is she?â
âShe was here a moment ago, trying to coax the dog out from under the desk,â I said.
Mort strode onto the set and ducked his head under the desk. âGone,â he said. âThe dog and the lady.â
âEstelle?â Elovitz shouted. We waited a few seconds, but there was no answer.
âShe canât have gone far,â I said, embarrassed that I hadnât noticed the astrologer leave with the dog. âWould you like me to go look for her?â
âNo! You two wait here.â Mort pointed at Elovitz. âNo phone calls. Understood?â
âUnderstood.â
âMrs. F., Iâm holding you responsible.â
âHe wonât make any calls, Mort.â I looked at Elovitz. âPlease donât make me a liar.â
Mort jogged around to the back of the scenery and we heard the hangar door open and close.
Elovitz walked behind a camera and sank into his directorâs chair with a big sigh. He pulled out his phone. âIâm not making any calls,â he assured me. âIâm just checking my schedule.â
âNo text messages either, please,â I said.
âYou have my word.â
I stood at the edge of the set and examined the scene from a distance, a million questions swarming in my mind. There was a slight tang in the air that I found familiar, but I couldnât place it. âHow recently was this set painted?â I called out to Elovitz.
âLast week,â he replied, strolling over to stand next to me. âBut they probably did touch-ups a few days ago. Why?â
âJust wondering.â
Veraâs head leaned against the wing of the chair, the film cutting into her neck, but I didnât see any blood. Odd. I would expect the edges of a strip of film to be sharp enough to cut. But her chin angled down toward her chest. Perhaps there was blood but it was hidden by her clothing. The caftan she wore was made of a heavy material in a riot of colors. It was difficult to see if there were stains on it.
I looked at her hands. I didnât see any