him.
Caine opened his fist, showing an empty hand, and lowered it again. "Sure," he said. "Sure. Misunderstanding. Happen to anybody."
"You want to walk away," the cop told Caine, "do it now. Otherwise you get a ride."
Caine and company departed in sullen silence, glaring daggers at me. Well. Glaring letter openers, anyway. Caine didn't seem real sharp.
The cop stalked over to me more lightly than he should have been able to—no question about it, the man knew how to play rough. He looked at me, then at my staff, and kept his nightstick in his hand. "You Dresden?"
"Uh-huh," I said.
"Heard of you. Work for Special Investigations sometimes. Call yourself a wizard."
"That's right."
"You know Rawlins?"
"Good man," I said.
The cop grunted. He jerked his head toward the departing Caine as he put the stick away. "Guy's a con. A hard case too. Likes hurting people. You keep your eyes open, Mr. Wizard, or he'll make some of your teeth disappear."
"Yeah," I said. "Golly, he's scary."
The cop eyed me, then snorted and said, "Your dentures." He nodded, and walked out again, probably tailing Caine to make sure he left.
The cop and Caine weren't all that different, in some ways. The cop would have loved to take his stick to Caine's head as much as Caine had wanted to swat mine. They were both damned near equally sensitive about Braddock's missing wife too. But at least the cop had channeled his inner thug into something that helped out the people around him—as long as he didn't have to run up too many stairs, I guess.
I turned back to Mac and found him still standing between the kid and the door. Mac nodded his thanks to me. Braddock looked like he might be about to start crying, or maybe screaming.
"No love lost there, eh?" I said to Braddock.
The kid snarled at the empty space where Caine had been. "Elizabeth embarrassed him once. He doesn't take rejection well and he never forgets. Do you think he did it?"
"Not really. Mac," I asked. "Something tipped you off that this was from the spooky side. Lights flicker?"
Mac grunted. "Twice."
Braddock stared at Mac and then at me. "What does that have to do with anything?"
"Active magic tends to interfere with electrical systems," I said. "It'll disrupt cell phones, screw up computers. Simpler things, like the lights, usually just flicker a bit."
Braddock had a look somewhere between uncertainty and nausea on his face. "Magic? You're kidding, right?"
"I'm tired of having this conversation," I said. I reached into my pocket for Elizabeth Braddock's fallen hairs. "This joint got a back door?"
Mac pointed silently.
"Thanks," I said. "Come on, Mouse."
THE BACK DOOR OPENED INTO A LONG, NARROW, dirty alley running parallel to Clark. The wind had picked up, which meant that the cold rain was mostly striking the upper portion of one wall of the alley. Good for me. It's tough to get a solid spell put together under even a moderate rain. When it's really coming down, it's all but impossible, even for a relatively simple working—such as a tracking spell.
I'd done this hundreds of times, and by now it was pretty routine. I found a clear spot of concrete in the lee of the sheltering wall and sketched a quick circle around me with a piece of chalk, investing the motion with a deliberate effort of will.
As I completed the circle, I felt the immediate result—a screen of energy that rose up from the circle, enfolding me and warding out any random energy that might skew the spell. I took off my necklace, a silver chain with a battered old silver pentacle hanging from it, murmuring quietly, and tied several of Elizabeth's hairs through the center of the pentacle. After that, I gathered up my will, feeling the energy focused by the circle into something almost tangible, whispered in faux-Latin, and released the gathered magic into the pentacle.
The silver five-pointed star flickered once, a dozen tiny sparks of static electricity fluttering over the metal surface and the hairs