level.
âWhere?â
âIâm not sure. Weâre going to my grandmaâs.â I hesitated, then went on. âBut I think my dad really wants to try to get to the Extraordinary World.â I donât know why, but talking to Oliver made me feel like it was okay to be honest.
The silence stretched on and on. Most people donât like long silences, but Oliver seemed completely content to let the empty seconds stretch between us. âWhen are you leaving?â he finally asked politely.
âWednesday afternoon, I guess.â I was still hoping, counting on, a miracle that would let us stay.
âIâm sorry you have to go,â he said.
âThanks,â I said, and looked at the ground.
âYou canât tell anyone you saw me,â Oliver went on. âTheyâll try to bring me back to my foster parents.â
I promised, but I wasnât sure it was the right thing.
Before I left, Oliver looked at my cast, pulled out a marker from his backpack, and wrote on it, on the underside where I couldnât see.
*Â Â *Â Â *
My mom says that one of the reasons she loves paintings and poetry and things like that (which I mostly findextremely boring) is that they focus not only on what is but what could be . She says that itâs very important to accept what is but also to never stop dreaming about what could be. Sometimes we play this imagination game where we come up with ideas of what life would be like if there were no sun but only a moon, or if we spoke in music instead of words. . . .
Anyway, walking home I tried to imagine the world without sasquatches and Dark Cloudsâhow Oliverâs parents would still be alive, and how Sam would be safe and weâd get to stay in Cliffden. It cheered me up for a few minutes.
I debated whether to tell my parents about Oliver, and I couldnât decide. So far Iâm only writing it down here. Now Iâm on the couch, and Mom has lit a fire in the fireplace and closed all the curtains that look out on the backyard. Everything is cozy and warm, and seeing Oliver feels like something I only imagined. Except that, just before I started writing this entry, I remembered to look in the mirror to see what heâd written on my cast. It said I was never here.
October 7th
Itâs hard to write because my hands are shaking. Weâre all packed. The Winnebago is stuffed to the gills. The Cloud is hovering above the back deck this morning, just a couple of feet from the door, as if waiting to be let in. Weâre leaving and Iâm writing as fast as I can.
Yesterday Arin Roland surprised me by showing up at my door with her mom to give me a big hug and also a present. Itâs a tiny silver suitcase with the words Home Again engraved on one side. Itâs sort of a dumb little knickknack, but Iâve decided to make it into a lucky object thatâll bring us back here someday.
I want to record the curve of our driveway and the missing tiles of our gingerbread roof. I want to keep in my mind forever the paint smudges along the trim ofmy bedroom window and the tree stump I tripped over once while we were playing ghost in the graveyard, the church stone just peeking out over the top of the hill and the blinking eye of my house. Iâve picked up several rocks from the yard to take with me. I smelled each and every flower left in my momâs garden. I touched the grass in several spots and buried all my pennies, and then I took my favorite glass prism from my room and buried that, too. Iâve also resolved to bury this diary. It seems like I should leave it here as a reminder of me. Sam is curled on my momâs lap on the front stairs, crying into her chest, and Millie is already in the Winnebago waiting, but I just want these seconds to last forever. Good-bye to theâ
*Â Â *Â Â *
Iâm writing from my seat in the camper. Something big has happened.
A few minutes ago Mom got