me, their contrasting figures like a Grimm illustration framed by the tip-tilted housefronts of the old village, I figured out the arithmetic. If Mr Broadhurst had been grown up enough to visit a tea shop regularly before 1914, he would have to be at least eighty by now, easily. Yet despite his declared retirement there was nothing obviously decrepit about him. Had there been I would certainly have spotted it.
I knew about old people the way a boy who lives next to an airport knows about planes. Our slice of Sussex coastline was already beginning to fill up with the moribund – or, as they prefer to put it nowadays: was becoming a growth area for the grey market. Saltdean even boasted specialist shops for the old, retailing surgical supports, Zimmer frames and herbal remedies. But Mr Broadhurst just didn't have the shuffling gait that I expected of the old, only a certain calculated languor to his movements. This was a comprehensive slow-motion, affecting his gestures and orotund tones as well as his locomotion.
‘What's a gyppo, Mum?’ It was the following week. I was eating high tea after school. Beans on toast, Ribena.
‘We don't say gyppo, Ian, it's common.’ She was wiping the kitchen surfaces with a J-Cloth, rubbing them vigorously, her features distorted with distaste, as if they were the limbs of a Formica corpse.
‘Mr Gardiner said that Mr Broadhurst was a gyppo, and he had gyppos with him when he came, didn't he, Mum?’ This jarred her and she grew terse.
‘Look, Ian, I know this much, that Mr Broadhurst worked for many years in the salvage industry and I believe that he counts a number of travelling people among his acquaintances. That's all, now eat your tea.’
The undercliff walk, which ran from Rottingdean along to Brighton, was my special haunt. This was where I consummated my boyhood. It was a peculiar place, especially during the off season, when detergent waves span against the dirty parapet. The two-hundred-feet-high cliffs rose above it and the shoreline below it was a torn shattered prospect, strewn with huge lumps of chalk and discarded trash from the Second World War; pillboxes and dragons’ teeth, which were in the process of being reduced to rubble by the tides.
Some mothers said the undercliff was dangerous and wouldn't let their children play there. They spoke of high tides washing little ones clean away (there was no access to the top of the cliff for over three miles). My mother wasn't amongst their number. I was allowed to go down there all I wanted. I transformed the pillboxes into Arthurian redoubts and tenanted them with my fellow knights. It was only child's play but highly charged and for me more emotive than the real world. My eidesis allowed me to paint the storybook characters on to the rocks around me; and often, so enmeshed had I become in make-believe that a solitary dog-walker coming along the concrete causeway would terrify me, as much as if they had been the Black Knight.
The winter after Mr Broadhurst came to Cliff Top, on two or more occasions, I thought I saw him down on the undercliff. This was strange enough, for how could such a big man be at all elusive, especially to one as sharp-sighted as I? And yet I couldn't be sure if it was he, backed into one of the chalky gulches at the base of the cliff and chatting conspiratorially with one of his hawk-faced gypsy friends, or just some ordinary be-mackintoshed pensioner, a sad stroller on the far shore of life.
Increasingly the off season at Cliff Top belonged to Mr Broadhurst. It became associated with him in my mind, in just the same way that the on season belonged to my aunts and cousins. Like many only children of single parents I was emotionally precocious. I sensed that my mother was pleased and even relieved by the interest that he took in us. I knew that he helped Mother with her accounts and made suggestions as to how she could drum up more custom for the caravan park. For some reason these stratagems
J.R. Rain, Elizabeth Basque