Crash.
âTodayâs topic is creating original characters,â I continue.
âSpeaking of original characters, any room for me?â
flourish
I donât need to look to see whose voice that is. Umberto wheels himself into the room with a flourish. âI didnât sign up. I hope you donât mind walk-ins.â
Everyone in the room stops what theyâre doing to process Umbertoâs joke. Finally Susan bursts out laughing, then the other kids do too. Matt and Carly check to see how Iâll react but I just laugh along with the others. What I really feel inside isnât delight but dread. Has Umberto made it his lifeâs work to torture me? If so, heâs doing a bang-up job.
muster
I muster all my strength to bring the club back on track and hand Umberto a copy of the class outline. âWeâre talking about creating characters. I thought Terry and Tommy could talk about the cat comic strips they do.â
âCanât wait,â Umberto says. âAfter that, I want to talk about my monkey strip.â
âCool,â Terry says. âI love monkeys.â
Umberto reaches into his pack and pulls out a stack of papers. This is not happening.
âThese are awesome,â Tommy says. âUsing a monkey is a great idea.â
replica
I stare at my pack on the desk. My own work will now look like a replica of Umbertoâs. The kid hasnât been in the room for a minute and heâs already succeeded in taking the wind out of my sails.
Even though sheâs been focused on Crash 24/7, Carly immediately comes to my rescue. âCan we see the cats?â she asks the twins. âThey sound really great.â
unsettled
Tommy and Terry each take out stacks of wrinkled pages from their packs. I try to grab the reins of the class back by asking how they originally came up with the idea. When I spy Umberto out of the corner of my eye, heâs not as unsettled as Iâd hoped, but instead listens to Terry with full attention.
Tommy talks about how the cat character has evolved since they first started drawing him but Terry interrupts him. âWhat about you, Derek? Show us some of your illustrations.â
I reluctantly spread my Super Frank panels across the desk.
âThese are great!â Matt says, as if itâs the first time heâs seen them. âSuper Frank looks like a real monkey.â
Susan takes one of my drawings and compares it to Umbertoâs. âYour monkey has much better fur,â she tells him. âThe face is more realistic, too.â
âYeah, and the letteringâs really professional,â Tommy adds.
âI worked hard on them,â says Umberto proudly.
Starting a cartooning club suddenly seems like the idea of an imbecileânamely, me.
unexpected
âI think Derekâs are more original,â Carly says. âHaving a baby seal as a bad guy is totally unexpected.â
Just about as unexpected as a classmate in a wheelchair trying to ruin your life , I think. But the other kids want to hear more about Umbertoâs process. I admit defeat and give up trying to manage the club, at least for this session. Umberto has conquered me fair and square. I sit down next to Matt, who shrugs. Heâs rightâUmbertoâs won this round; itâs up to me to win the next one.
Water on the Brain
introductory
After the fiasco with the cartoon club, all I want to do is hole up in a cave, but Carly wonât have it. She convinces Matt the best medicine is for me to go surfing. She arranges for Heinz to give us lessons at an introductory rate. Mattâs wanted to try surfing for a long time and immediately says yes for the two of us.
Mattâs brother, Jamie, drops us off in Santa Monica, where Carly, Crash, and some other kids are already getting ready to go out. It doesnât take a genius to guess which one is Heinz. The guyâs so tan and his hair so bleached from the sun, he
Holly Rayner, Lara Hunter