Necropolis

Necropolis by Santiago Gamboa Read Free Book Online

Book: Necropolis by Santiago Gamboa Read Free Book Online
Authors: Santiago Gamboa
doing? be careful of that sharp edge, don’t jump into the void, boy, look, they took the net away yesterday, you’ll slam straight into a floor dirty with spit and condoms or the roof of some dusty old taxi, don’t let your children see that, make sure your blood stays inside your body, my friend, that’s the main thing, I know all about that, because if a hole opens everything comes out and doesn’t go back in, the body is like a blister and can burst, and the soul is the desire to look after that blister and its aspiration to the stars, so give your hand to the fallen, talk to the lonely, give up your food to the needy and weep for those who are about to sin because your word has not reached them, and for those who do not hear and close the door to your love and repent in sorrow for not having opened it, because that’s what handles are for, as was demonstrated by Syriacus the Abogalene in Nineveh, and weep for those who feel a humming in the brain inciting them to open fire in a classroom, and for those who are sweating with cocaine pellets in their stomachs, weep for all the people who long to die because they don’t know anything but the smell of poverty and fear, great is their number and great is their fear, all these things Walter said from his musical pulpit, with lighting effects and artificial smoke and shadow play and videos, while Miss Jessica sat like a queen by the side of the altar in religious contemplation, dressed very simply in T-shirt and jeans.
    With these spectacles, the Chapel of Mercy and the Living God was soon filled every Saturday evening and Sunday noon, dozens and then hundreds of worshipers grew fond of his direct, plainspoken style, his exalted rhetoric, my friends, which was something to be reckoned with, especially when he attacked the devil, and that was when he really got into his stride, because Walter really hated him, and he would point to the LCD screen at the side that projected a silhouette with horns, and say, go from this place, Satan! do not dare to enter this sacred ground, because we hate you! we will beat you to death, Satan! Then the faithful would rise from their seats and cry out, in fearsome unison, we will beat you to death! we hate you! come no closer, Satan, you scum! and Walter would continue urging them to be ever crueler and more ruthless with Satan, in his own language, which was that of curses, Satan the Foul, the Obscene, the Repugnant! and the people would raise their hands to the clear sky and answer, Satan the Bastard, the Son of a Bitch, the Faggot, God will leave you on some radioactive island with sharks all around, unable to climb to the top because of the snakes, the most poisonous in the oceanic regions, oh Satan, you’re done for, your glory days are over, yes sir, now begins the reign of the good, because Walter de la Salle is in town! and someone even cried out, Satan to Guantanamo!
    That was Walter’s style, my friends, he’d say that you could only be truly yourself, find your own identity, if you talked your own language, the words you lived with every day, the words you used to buy tobacco or quarrel with other people or make love, words of joy or despair, and these were the words he used, which is why the fevered crowd followed his message to the letter, shouting and jumping up and down in their seats, with the colored lights turning in the dimly-lit room, the rap in the background and the smoke and Walter in the middle with his microphone, swaying from side to side, sweat pouring out of him, the veins on his neck inflamed. The people would take up the rhythm in their clapping and echo him and then trip down the street to their houses, and later you would start to hear in the grocery stores some of the things he said like “Get thee behind me, Satan!”

3. THE JOURNEY
    Â 
    On the day I was due to travel, I searched on the internet for some last-minute information about the ICBM, but, strangely, could

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