for
one with the strength of many
ways of both ways â Nicholâs heart
can be ours. H as a door to many
people before profit.
Listen, itâs a healthy nostalgia if it owns you
or at least not the worst thing ever if you are
one with the strength of many
people before profit.
DEDICATIONS
âSummary: Cultural Hegemonyâ is for kevin mcpherson eckhoff.
Â
âSummary: The History of Sexualityâ is for Susan Holbrook.
Â
âBlurbistsâ is for Darren Bifford.
Â
âHey, Carol Makerâ is for Christian Bök.
Â
âModaâ is for Elizabeth Bachinsky.
Â
âTenantsâ is for David McGimpsey.
Â
âSalter Street Strikeâ is for John K. Samson.
ACKNOWLEDGMENTS
Thanks to Evan Munday, Alana Wilcox, Susan Holbrook,
Jeramy Dodds and everyone at Coach House Books. Thanks to
David McGimpsey, Elizabeth Bachinsky, Maryanna Hardy,
Tara Flanagan, Heather Stewart, Jacob Spector, Julie Mannell,
Ian Orti, Darren Bifford, Mike Spry, Sina Queyras, Nicole
Brossard, Tyler Morency, Jess Marcotte, Emma Healey,
Genevieve Robichaud and my parents.
Â
Special thanks to my writing teachers.
Â
Very special thanks to Lilly Fiorentino.
NOTES
The text from âWinnipeg Cold Storage Companyâ is appropriated and manipulated (with the most love) from
Excitable Speech: A Politics of the Performative
by Judith Butler.
Â
Some of the text from
Tautnotes
is appropriated and anagrammed for satiric purposes (and with the most love) from the following texts, their titles and authors, in order of appearance:
De Profundis
by Oscar Wilde
Mythologies
by Roland Barthes
The Pleasures of Hating
by William Hazlitt
Excitable Speech: A Politics of the Performative
by Judith Butler
Seed Catalogue
by Robert Kroetsch
Â
The text from âRubric for the Evaluations of Poetry, Dedicated to Ms. Castroâs Sixth Grade Poetry Students at Mater Academy Middle/High School in Hialeah Gardens, Floridaâ is appropriated and rearranged from a rubric for the evaluation of poetry, prepared by Ms. Castro for students and teachers at Mater Academy Middle/High School in Hialeah Gardens, Florida.
Â
âThe Report Cards of Leslie Mackieâ is a narrative sequence of visual poems that sets out to critique the culture of homophobia, transphobia and bullying in early childhood education.
Â
âModaâ uses the slogans for Expo â67 as its refrains. âConcordiaâ uses the mottos for the city of Montreal and the town of Mont-Royal as its refrains. âBystanderâ uses the mottos for the city of Toronto and the town of Burlington as its refrains. âSalter Street Strikeâ uses the mottos for the city of Winnipeg and the community of the North End as its refrains.
Â
Earlier versions of some of these poems have been published in the following journals:
EVENT
,
PRISM International
,
Hobo
,
Joyland
,
The Winnipeg Review
, Lemon Hound,
subTerrain
,
Contemporary Verse 2
,
The Toronto Quarterly
and
New American Writing
.
About the Author
Jon Paul Fiorentino is the author of the novel
Stripmalling
, which was shortlisted for the Paragraphe Hugh Maclennan Prize for Fiction, and five previous poetry collections, including
The Theory of the Loser Class
, which was shortlisted for the A. M. Klein Prize. His most recent poetry collection,
Indexical Elegies
, won the 2010 CBC Book Club âBookieâ Award for Best Book of Poetry. He lives in Montreal, where he teaches writing at Concordia University and edits
Matrix
magazine.
This ePUB edition produced at the Coach House on bpNichol Lane.
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The print edition is typeset in Albertan and printed in August 2013 at the old Coach House on bpNichol Lane in Toronto, Ontario, on Zephyr Antique Laid paper, which was manufactured, acid-free, in Saint-Jérôme, Quebec, from second-growth forests. This book was printed with vegetable-based ink on a 1965 Heidelberg KORD