your problem ?’ he asks.
‘What’s my problem? I have so many, but violent tendencies and probable demonic origins are the ones that should concern you.’
‘Huh?’ He gives me dumb-face, which is such a disappointing response to a good nemesis zinger. Kaz might deserve First Class status for Crimes of High Douchebaggery, but he’s just not quality enemy material.
I sigh, and tell him so. ‘You are not a worthy opponent.’
‘What are you talking about? Opponent at what?’
‘Opponent at opponenting . Duh. What are you doing here, Jackass?’
‘What do you think? Is Karou here? Are you meeting her?’
I laugh. ‘You’re not seriously looking for Karou,’ I say, but I see by the persistence of dumb-face that he is. ‘She put you through a window the last time she saw you. Does that somehow leave room for hope?’
‘She didn’t know it was me when she did that,’ he argues. ‘What was up with her that night, anyway? Is she okay?’
Is Karou okay? No. No, she’s really not, but in the scheme of her problems now, Kaz has become about as significant as a gnat inhaled by god. Snuff . I just shake my head. ‘Oh, Jackass,’ I say with what I hope comes across as gentle pity. ‘Poor Jackass. Let me explain something. You know in fairy tales, when a bunch of princes all try to win the princess’s hand, but they’re all vain and entitled and self-involved and they fail at the task and get put to death? And then there’s one who comes along who’s clever and good and he wins and gets to live happily ever after with her? Yeah, well, you’re the first kind.’ I pat him on the shoulder. ‘It’s all over for you.’
Still dumb-face. And then he says, ‘You mean she’s seeing someone else?’
‘Oh my god!’ I can only laugh. ‘Talking to you is like playing catch with a toddler. Get out of here, Kaz. Did you think I was kidding before? You’re not welcome here. Imrich will put you in a coffin, and I will nail it shut.’
The tables in Poison Kitchen are actual coffins, and the one-eyed owner, Imrich, is fond of me and Karou. We’ve been coming here at least three times a week for two and a half years. We painted murals in the bathrooms in exchange for goulash. Imrich is on our side.
‘Right,’ says Kaz, rolling his eyes, not believing – or fearing – it for a second. ‘Let’s go in, then. I hope you have your coffin nails ready.’ And he takes a step toward the door, calling my bluff.
Damn. It.
It’s not a bluff! Imrich will do it. He’s not entirely sane. I mean, look at his cafe! It’s full of gas masks and skulls, for god’s sake. Real ones. He will totally put Kaz in a coffin, and yes, he does have coffin nails. Like everything else in Poison Kitchen, they’re antique, and authentic. He says they’re from the coffins exhumed in Kutná Hora after some monk sprinkled Golgotha dirt there in the Middle Ages, making it the most popular graveyard in Central Europe. Most popular graveyard, what a thing! You’d only get to stay in the ground for so long before they’d dig you up to make room for the next guy. And – oh! Then in the late nineteenth century they hired some wood carver to make art out of all the dug-up bones. It’s awesome . Imagine afterlife as part of a skeleton chandelier. For real.
The point is: coffin nails, check . Coffin, check . Crazy one-eyed Imrich and his bar cronies ready to take hold of pretty boy here and introduce him to the satiny interior of a hexagonal box?
Check.
Me, able to participate? Not check.
Any other night. Any. Other. Night. But tonight is not for vengeance. I take a deep breath. It’s for a dazzling.
I do not look to the window. I so strenuously don’t look to the window that my neck feels turned to concrete. I’m dying to know what’s going on with Mik, but I don’t want Kaz to catch me looking. He could mess everything up. I’m on a carefully calibrated schedule here.
Has Imrich brought Mik’s tea yet? That’s the plan.