thousands, a solid wall of bees.
âWhatâs the matter?â Dana asked.
âI think I might be allergic,â I explained.
âJust walk really fast. And close your mouth,â Dana advised.
âYou donât want to swallow any.â
She had no idea I had the potential to swell, to look like a hippo or an elephant or one of those balloons from the Macyâs parade. And that certainly wasnât going to impress any boys.
The old-timers, experienced with this routine from summers past, led the way. They walked ahead, albeit stiffly and carefully, then motioned to the rest of us. Most of the newcomers tentatively followed, walking a little bit faster, almost running, trying not to scream, as that would have necessitated opening their mouths. Even the youngest girls got up their nerve. I couldnât be the only chicken. I clenched my fists, held my breath and walked as fast as I could through the bees until I joined the rest of the group. Sure enough, the man in the full-body protection was rightâno one got stung. Once we were all well past the bees, we ran. This unpleasant ritual would be repeated weekly for the entire summer.
We arrived at Boysâ Side about fifteen minutes early. Kenny came bounding up to me.
âHi,â he said. âHow are you?â
I was nearly speechless. I couldnât believe he was talking to me.
Maybe heâd come to his senses overnight?
He asked, âYou get back okay last night?â
Kenny was all but ignoring Dana, who was standing next to me. It was too good to be true. I had to say something. Something clever. Something that had nothing to do with singing or how bananas smelled.
âUm... yeah. I got back okay.â
Something better than that, but someone was heading toward us. It was Philip.
âMindy! Hi!â
And it was the worst possible moment. Couldnât he tell that I was talking to Kenny because I wanted to be talking to Kenny and I didnât want to be talking to him?
Evidently not.
âWanna see something cool over in the Social Hall?â Philip asked, then, finally noting my expression, âOh, did I interrupt?â
âWell...â I began, turning toward Kenny.
Kenny was busy watching Dana talking to Aaron.
Philip had messed up everything. And what was worse, it was possible Kenny still liked Dana, even after the way sheâd snubbed him the night before. Unless, I thought,
Itâs bothering him that Iâm talking to Philip because itâs bad for me to be talking to someone most people ignore and as Kennyâs girlfriend, what I do reflects on him.
It was all very complicated.
But talking to someone no one else talks to shouldnât make me look bad. It should make me look... kind. And everyone likes kind people.
So I decided to ask Kenny if heâd mind my leaving with Philip, but Kenny was gone.
Philip led me into the Social Hall and behind the darkened stage. I had no idea what he wanted to show me and wished I had a set of keys with me so I could do that thing where you place them between your fingers, just in case.
But instead of lunging at me, Philip pointed up to the rafters. âLook. See?â
Campersâ names and their years of attendance were painted everywhere. At first sight this was nothing special. It is a summer camp tradition to sign your name, to leave your mark so people will know you were here, old-fashioned legible graffiti. I could tell you exactly who had lived in my bunk in 1966 and every summer since. Itâs also a tradition that when the walls get too full, they are painted over to make room for the next batch of names.
Backstage, however, the walls had never been repainted. These were the names of campers from the early days, including the dead ones Autumn Evening Schwartz claimed to be in touch with. Philip showed me his favorite autograph:
Harold Selig â22ââ30
. âThat was my grandfather,â Philip explained.