should shrink from her, that I should draw back, that here was evil.
Her clothing seemed to be of the same material as the cardigan left me by the girl of the sunflowers, but of finer thread, figured with an Indian motif, but much more sophisticated than any American Indian garment I had seen. She wore turquoise jewelry of the finest quality.
âYou have fear? Of me?â
Her voice was low, a lovely sound, holding a little of invitation, a little taunting.
Unwittingly, not knowing what to say, I said the wrong thing.
âI must wait. I have builders coming to work on my house.â My gesture took in the area.
âNo!â Her tone was strident. âThere must be no one! No one, do you comprehend?â
âI am sorry. This land is mine. I shall build a home here.â
âWhat do you say? The land is yours? All land belongsââ She broke off suddenly. âCome!â Her tone was imperious. âI show you!â
âI cannot,â I repeated.
From her manner I gathered she was not accustomed to refusal, but in this situation she was obviously uncertain how to deal with it. âNow! Come, or you will be sent for. You will bring the wrath upon you.â
A moment she hesitated. Then she descended into the kiva and disappeared.
Instantly I had the impression that I should get away, as far, far away as possible, and as quickly as it could be done.
Ten minutes later, this book tucked into my pocket, I was hurrying down the trail. My four-wheel-drive vehicle was waiting at the end of the road not far away, a rarely used trail. I had almost reached it when somebody hissed at me from a clump of rocks and juniper.
Turning sharply, I faced a slender, lovely girl with a sunflower in her hair.
âNo! They wait for you! You must not go!â
âWhat do they want from me?â
âThey wish nobody here! They take you. They get from you all. Then they kill.â
âWho are you?â
âI am Kawasi. I am runaway. They find me, they kill.â
âBut you speak English?â
âI speak small. Old man tell me words.â
âBut she spoke English, too. The other one.â
âThey have four hands people who speak. No more.â
âFour hands?â
She held up her hands, closed her fingers, then opened them. Four hands, twenty people.
âWe go now. I show.â Turning quickly, she went down through the rocks, rounding a boulder into an ancient path, steep and narrow, that led down to the river. In the shadow of the cliff, she hesitated. âYou must cross river or wait until darkness and float down to great lake.â
âWhat will you do?â
âI go backâif I can. It is not always. Only through kiva is always, that not possible for me.â
âYou come through at another place?â
âIt is a sometime place. Only sometime.â She gestured. âLong time past my people live all about here. Bad times come. Much dry. Wild, wander-about people come. They fight us. Take our corn. Some people walk-away, some go back to old place, where we come from before. Much evil there.â
âBut you are not evil.â
âI am not. She is. She has very high place. We fear. You fear, too. You sleep with her, you die. She is Poison Woman.â
âAre you Indian?â
âWhat is Indian? I do not know âIndian.ââ
âYour people lived here? Where?â
âNobody live here. Special to gods. Priests come to plant witch plants on this mesa. My folk live far away. Big cave, many house. On other side we have big house, many rooms. Here all fall to pieces, I think.â
Cliff dwellers? They could have been. The Hopi had a legend they had come into this world through a hole in the ground. Might it have been from another dimension? From what some called a parallel world?
âAnd your people now?â
âOver there. Many are gone. They are slaves or dead. It is evil, over
Kate Corcino, Linsey Hall, Katie Salidas, Rebecca Hamilton, Conner Kressley, Rainy Kaye, Debbie Herbert, Aimee Easterling, Kyoko M., Caethes Faron, Susan Stec, Noree Cosper, Samantha LaFantasie, J.E. Taylor, L.G. Castillo, Lisa Swallow, Rachel McClellan, A.J. Colby, Catherine Stine, Angel Lawson, Lucy Leroux