kidding.â I laugh. âThatâs a sin!â
âItâs delicious!â She takes a big sip.
âWell, I better go.
Iâm meeting my mom at the used bookstore.â
âI grew up in a bookstore,â I say.
âWhat do you mean?â
âMy parents own the In Print bookstore
in Tacoma.â
âCool.â She stands and pushes her chair in.
I wrap my hands around my teacup.
âDia?â
âYeah?â
âWhat did your mom say
after you worked so hard,
and it cost all that moneyâoh, never mind.
Itâs none of my business. Sorry.â
âNo, itâs okay.â She flips her hair again.
âWe had a super long cry,
then talked about stuff
Iâve supposedly learned.
That kind of thing.
She really understood.â
âOh.â
âIt helped a little.
I mean,
everything
doesnât feel completely wasted.â
She stares out the window.
âMost of the time.
Well, I gotta go, Clare.
Good luck on Saturday.â
âThanks.â
She pushes out the door.
I swallow the rest of my cool tea
and follow her.
I bet her mom
never used to say
dancing
was their dream.
âBye,â I call
to Dia and her mom
on the opposite street corner.
They wave back.
I turn away
and hurry to Grandpaâs.
He shouldnât be home yet
from his Bible study.
But just in case,
I donât want to worry him,
since I didnât call
and leave a message about staying later.
Oh. Diaâs phone number.
I should get it
and call her sometime.
I sprint back to the corner,
but theyâre gone.
I shiver in the warm sun.
Oh, well.
Maybe it would have been weird
to ask for her number.
But it does seem like
if we arenât in class
we can talk.
Outside the conservatory
we are on the same side.
We could be friends
or something.
I beat Grandpa home.
My stomach is too jumpy for a snack,
so I yank my covers up on the bed
and stretch out
with some magazines.
I flip through the pages of ballet pictures.
Everyone looks the same.
The corps dancers
are a unit.
They are like one dancer,
each holding the exact same pose.
Same hair,
costumes,
height.
Same, same, same.
I flip the page.
A close-up of a soloist.
I cover her nose and mouth with my thumb
and look at her eyes.
Thereâs too much makeup
to see how she really feels.
Beautiful?
Happy?
Does she love to dance?
She must.
The pain
has to be worth it.
I toss the magazine
and pick up the teen one
I checked out at Grandpaâs little library.
âCleavage: How to Get Itâ
âDramatic Eye Shadowâ
âDoes He Think Youâre Seventeen?â
I flip through to the end.
Total obsession with breast size.
Page after page of fashion.
How weird that most girls
want to look older
every way possible.
Wow. How different can you get?
They want big breasts.
They want cleavage
and want to show it.
Why does it matter so much?
Because thatâs what guys notice?
Please.
What a load of garbage.
I have the opposite pressure.
I need to stay flat.
Nothing can interrupt your line in ballet.
Like a C-cup size.
Poor Dia.
She definitely looked different
from everyone else.
But is that so bad?
Why do we all have to look
like weâre eleven?
Most of the time,
we look like little boys
partnered with men.
Why does it have to be like that?
Is the line so important?
Why canât we be the way we are,
not how a magazine or dance company says?
Am I believing a load of garbage too?
My poster is curling up again.
I reach and press
the corner of Baryshnikov to the wall.
It sticks for a few seconds,
then pops up again.
âStay.â I push harder.
This time it does.
But for how long?
The sticky stuff isnât worth much.
Maybe some tape
right across the edge would work.
Iâll get some later.
âHello?â
âIn the kitchen, Grandpa.â
I take the bags of groceries from him.
âI was