roses:
cold, greeny things under the snow –
fantastic hellebores, harbingers
of the century’s worst winter.
On little fields stitched over with drystone
we broke snow curds, our sledge
tossing us out at the wall.
For twelve years a plateau of sea
stopped at my parents’ window.
Here the slow Flatholm foghorn
sucking at the house fabric
recalls my little month-old brother,
kept in the house for weeks
while those snow days piled up like plates
to an impossible tower.
They were building the match factory
to serve moors seeded with conifers
that year of the Bay of Pigs,
the year of Cuba, when adults muttered
of taking to the moors with a shotgun
when the bomb dropped.
Such conversation, rapaciously
stored in a nine-year-old’s memory
breeds when I stare down Bridgwater Bay
to that glassy CEGB elegance, Hinkley
Point, treating the landscape like snow,
melting down marshes and long, lost
muddy horizons.
Fir thickets replace those cushions
of scratchy heather, and prick out the noise
of larks in the air, so constant
I never knew what it was.
Little hellebores with green veins,
not at all tender, and scentless
on frosty ground, with your own small
melt, your engine of growth:
that was the way I liked you.
I imagine you sent back from Africa
I imagine you sent back from Africa
leaving a patchwork of rust and khaki
sand silt in your tea and your blood.
The metal of tanks and cans
puckers your taste-buds.
Your tongue jumps from the touch
of charge left in a dying battery.
You spread your cards in the shade
of roving lorries whose canvas
tents twenty soldiers.
The greased cards patter
in chosen spaces.
I imagine you sent back from Africa
with a tin mug kept for the bullet hole
in at one angle and out another.
You mount the train at the port
asking if anywhere on earth
offers such grey, mild people.
Someone draws down the blind.
You see his buttons, his wrist,
his teeth filled to the roots.
He weakens the sunlight for you
and keeps watch on your face.
Your day sinks in a hollow of sleep
racket and megaphoned voices.
The troop-ship booms once. Laden
with new men she moves down the Sound
low in the water, egg-carrying.
But for you daylight
with your relieved breath
supping up train dirt.
A jolt is a rescue from sleep
and a glaze of filth from the arm-rest
patches your cheek. You try to catch voices
calling out stations closer to home.
In memoriam Cyril Smith 1913â1945
Iâve approached him since childhood,
since he was old, blurred,
my stake in the playground chants
and war games,
a word like âbrotherâ
mixed with a death story.
Wearing shorts and a smile
he stayed in the photograph box.
His hair was receding early.
He had Grandpaâs long lip and my motherâs love.
The jungle obliterates a city
of cries and murmurs,
bloody discharges
and unsent telegrams.
Now he is immanent
breaking off thoughts
printing that roll of film
one sweaty evening,
Four decades
have raised a thicket of deaths around him
a fence of thorn and a fence of roses.
His mother, my grandmother,
his father, his brother,
his camp companions
his one postcard.
The circle closes
in skin, limbs
and new resemblances.
We wanted to bring him
through life with us
but he grows younger.
Weâve passed him
holding out arms.
The parachute packers
The parachute packers with white faces
swathed over with sleep
and the stale bodily smell of sheets
make haste to tin huts where a twelve-hour
shift starts in ten minutes.
Their bare legs pump bicycle pedals,
they clatter on wooden-soled sandals
into the dazzling light over the work benches.
They rub in today’s issue of hand-cream.
Their fingers skim on the silk
as the unwieldy billows of parachute flatten
like sea-waves, oiled, folded in sevens.
The only silk to be had
comes in a military packaging:
dull-green, printed, discreet,
gone into fashioning parachutes
to be wondered at like