had to tell the social workers and police, but Harvir is the only other real person Iâve ever told.
âJust that you lived down here!â Kellyâs shouting now. âYouâre being such a freak. What is your problem?â
He didnât tell her the rest? He didnât tell her more? âIs that all he said?â
âYou know what?â Kelly holds up her hands and starts backing away. âForget the movie. Youâre on your own.â
âWait!â I shake my head, trying to dislodge the headache thatâs digging in deeper. âKelly, Iâm sorry! Wait up!â I donât want her to go. I donât want to be left alone down here. Even though Iâm taller and stronger than she is, even though Iâm the guy and I should be doing the protecting, I donât want to let her go. I donât want to be alone. She lets me catch up to her and we keep walking, neither of us saying anything.
We get smuggled into the theater by her friend, who is a janitor for the shopping complex. When itâs over and we leave, the sunshine of the afternoon is like a slap in the face. Kelly marches back toward Main and Hastings. I decide itâs time for a peace offering.
âPain and Wastings,â I tell her as we approachthe corner. âThatâs what we call it down here.â Before I can correct the
we
to
they,
Kelly pipes up.
âLook.â She roots in her enormous purse for a cigarette. âIâm going to score. I understand if you donât want to. I know you think Iâm just some junkie skank. But there it is. Thatâs what Iâm going to do with the rest of my afternoon, okay?â She pulls out three packs, but theyâre all empty. Barely missing a beat, she sidles up to a group of men who are walking hurriedly and speaking Italian, clearly tourists who got dangerously lost trying to get from Chinatown to the harbor.
They are all young and they are all quite taken by Kelly. Four cigarettes are whipped out. She slips the first one between her lips and lets the man light it for her. Then she takes the other three and tucks them into one of the empty cigarette packs.
â
Gracias
,â she purrs. They laugh and start on their way again. She walks with them. They donât seem to mind. My back goes up. I want to pull her away, but this is Kelly. You donât mess with her or she might knock you over with herpurse and stomp your eye out with one of her high heels.
Sheâs not your girlfriend, I tell myself as one of the men puts his arm around her waist, and the balding one lays claim to her shoulders. She looks tiny between them.
âSee you later, Ethan.â She offers a little wave over her shoulder, leaving me utterly alone at the corner of Pain and Wastings.
âWhere you headed, little guy?â I know this man. He is called Clifford and has red hair and is big, just like the big red dog in the picturebooks. This is before the Ovaltine, but the same day, only minutes earlier. I am clumping along with my snow boots on the wrong feet, my bare chest cold. It is fall and sunny, but colder than I expected.
âIâm getting milk,â I tell him.
âWhereâs your mom?â He leans down. He reaches into his pocket and offers me a caramel, sticky and squished. I know it is safe to take candy from him because Mommy always lets me. I take it and turn my attention to peeling off the wrapper. That takes too long, and I am too hungry and this is the first thing in who knowshow long that Iâve been offered to eat. I shove the whole thing in my mouth and take off at a run when I see the hand signal says itâs safe to cross. I want to get away from him before he asks me where my mother is again. âWait up, Ethan!â Clifford calls after me. But he has a limp and canât walk fast, so Iâm across the street before he starts after me, and then the light changes and he has to wait.
I manage to get