fresh grease spots peppered the white enameled stove. Moose sat at one end of a long trestle table on a bench seat, sipping coffee.
She stood in the center of the room and folded her arms across her chest. âYouâre getting rid of me â¦?â
Fig and Moose exchanged glances.
âNow, that isnât exactly true or by choice,â began Moose.
âSit down and let us explain,â said Fig, herding Maya to a seat at the table. âYou see, Moose and I are taking you to the Sweetwater River to stay with your great-aunt Violet. Sheâs our baby sister. But Iâm warning you, no one has dared call her Violet in years, except behind her back. We call her Vi, rhymes with pie.â
âMaya, the camp is nature at its finest,â said Moose. âYouâll sleep in a tepee, live around a campfire, and ride a horse every day. In fact, youâll see more horses in a summer than most people see in a lifetime. And weâll be out there soon enough.â
âSee, weâre all here together in the house for most of the year,â said Fig. âEven your aunt Vi. During school months, she teaches classes at the college. Art history,painters of the American Southwest, that sort of thing. Moose and I hire out in town. Heâs a farrier, shoeing horses, and Iâm a handyman. Being as smart as I am, I can do almost anything.â
âWhich means heâs a master of nothing,â said Moose.
Uncle Fig pointed his spatula at Moose. âIâm warning you. Donât rile the cook.â
Moose ignored him. âIn the summer, Aunt Vi sets up a field camp. She writes articles for horse magazines and some years she takes groups out to photograph or paint scenes of the wilderness and the wild horses.â¦â
âLike my father did?â
âThatâs right,â said Fig. âThatâs how he met Ellie way back when. Your father signed up for a week-long trip, and Aunt Vi outfitted the group. She provided the folks with tepees, food, and horses, and was their guide ontop of it all. Thatâs one of your fatherâs paintings in the living room.â
Her father had painted that beautiful stallion? A small satisfied smile appeared on Mayaâs face. A piece of her father was in this house, too. At least one painting had escaped Grandmotherâs wrath.
Moose cleared his throat. âIn a few weeks, our business will slow down for the summer and weâll come out to camp. But first, Fig and I need to finish our work obligations near the ranch. We werenât expecting you, Maya. But weâre sure glad youâre here.â
âYour cousin, Payton, is already out there with Vi,â said Fig.
Mayaâs eyes brightened. âA girl?â
âNo,â said Fig. âAnd for your sake, Iâm sorry that heâs not. Payton is my ten-year-old grandson. See, some yearsback, my son married a nice widow-lady who already had three boys. Then Payton came along. Donât get me wrong. We love them all, but his older brothers have taught him every bit of mischief known to man and on top of that heâs wound tight. He comes here every summer from their ranch in Colorado to spend time with our side of the family. And to give his parents a little breather.â
Maya groaned. Would he be like the two brothers across the street on Altadena Lane who had seemed interested only in wrestling on their front lawn, frying leaves with a magnifying glass, and spitting in the gutter? Besides, Maya wasnât ready to leave this house. She wanted to soak up all the little details of her motherâs life. She wanted to sit and gaze at her fatherâs painting for a very long time. What could she say to convince them to let her stay?
âOh, thatâs okay. You donât have to take me there just yet.â She tried to keep her voice light and matter-of-fact. âIâll wait for you. You can work during the day and Iâll stay