Tags:
Fiction,
Literary,
General,
Fiction - General,
England,
London,
London (England),
Nineteen sixties,
English Contemporary Fiction - Individual Authors,
London (England) - Social life and customs - 20th century,
Upper class - England - London,
Upper Class
a moment, frowning. 'I don't know.' She seemed to be looking into some invisible crystal ball, hovering in mid-air. 'We'll have to see,' she added and, in doing so, gave me a sense of her half-membership of the human race that was at the heart of her charm, a kind of emotional platform ticket that would allow her to withdraw at any moment from the experience on hand. I was entranced by her.
I outlined a little of this to Damian as we ate. He was fascinated by every detail, like an anthropologist who has long proclaimed a theory as an article of faith, but only recently begun to discover any real evidence of its truth. I suspect that Serena was the first completely genuine aristocrat he had ever met and, perhaps to his relief, he found her to be entirely undisappointing. She was in truth exactly what people reading historical novels, bought from a railway bookshop before a long and boring journey, imagine aristocratic heroines to be, both in her serene beauty and in her cool, almost cold, detachment. Despite what they themselves might like to think, there are few aristocrats who conform very satisfactorily to the imagined prototype and it was Damian's good fortune, or bad, that he should have begun his social career with one who did so perfectly. It was clear that for him there was something wonderfully satisfactory in the encounter. Of course, had he been less fortunate in his introduction to that world he might have been luckier in the way things turned out.
'So how do you get on to the list for these tea parties?' he asked.
The thing was, I liked him. It feels odd to write those words and there have been times when I have quite forgotten it, but I did. He was fun and entertaining and good-looking, always a recommendation for anyone where I'm concerned, and he had that quality, now dignified with the New Age term of Positive Energy, but which then simply indicated someone who would never wear you out. Years later, a friend would describe her world to me as being peopled entirely by radiators and drains. If so, then Damian was King Radiator. He warmed the company he was in. He could make people want to help him, which alchemy he practised, most successfully, on me.
As it happened, in this instance I could not deliver what Damian was asking for, as he had really missed the tea parties. These little informal gatherings were very much a preliminary weeding process, when the girls would seek out their playmates for the coming year within the overall group, and by the time of our Cambridge dinner the gangs were formed and the cocktail parties had already begun, although, as I told him, the first I was due to attend was not in fact a deb party as such, but one of a series given by Peter Townend, the Season's Master of the Ceremonies, at his London flat. It may seem strange to a student of these rites to learn that for the last twenty or thirty years of their existence they were entirely managed by an unknown northerner of no birth and modest means, but the fact remains that they were. Naturally, Damian had heard the name and almost immediately, with his hound-like scent for quarry, he asked if he might tag along, and I agreed. This was distinctly risky on my part as Townend was jealous of his powers and privileges, and to turn up casually with a hanger-on, was to risk devaluing the invitation, which he would certainly not take kindly. Nevertheless, I did it and so, a week or two later, when I parked my battered green mini without difficulty in Chelsea Manor Street, Damian Baxter was sitting beside me in the passenger seat.
I say Peter was jealous of his role and so he was, but he was entitled to be. From a modest background, with which he was perfectly content, and after a career in journalism and editing where his speciality was genealogy, he had one day discovered his personal vocation would be to keep the Season alive, when Her Majesty's decision to end Presentation in 1958 had seemed to condemn the whole institution to