travel on with him to his town house in Rome.
The good folks of Puteoli are already crowding down to the quay to see the arrival of the corn-ship, for they know us from afar by the fact that we have not lowered our topsail as we passed the Cape of Minerva. No other merchantman dare enter the bay without shortening sail; but the Alexandrian corn-ships have the privilege of coming in under full press of canvas. Now our sailors have got the anchor ready, and as we sweep in between the mole-heads and round to, topsail and mainsail are furled, and our cable runs out with a roar and a splash. Our host's four-wheeled family chariot is waiting for us and our belongings, and we lumber away along the shore road by the slopes of Vesuvius to the villa shining white in the warm sunshine on the green hill-slopes. 3
At the gate Publius is waiting to receive us, for he has seen the chariot creeping up the slope, and we clatter into the courtyard and get down, glad to be able at last to stretch our tired limbs. Publius's villa is quite a small and unpretending one, half dwelling-house, half farm, and he only comes down to it now and again to see that the wine-making and olive-pressing are going on all right; for a good part of his income is drawn from his vines and olive-groves on this pleasant hillside. On our left hand in the courtyard stand the living-rooms of the house, in front are the wine and olive presses, and on our right the store-rooms with the great fermenting vats and the big earthenware jars where the wine and the oil are kept and matured.
COURT OF A ROMAN HOUSE
4
The first thought, of course, when our belongings have been stowed away, is the bath, and Publius leads us through the house to where the three chambers of the bathroom lie. The bath has three stages—cold, tepid, and hot—and we come out from the last thoroughly refreshed after our journey. We shall have no company, for the villa is so small that there is only accommodation for Publius, with his wife Maxima, and our two selves. There are slaves, of course, but no one bothers as to the kind of lodging they may have. The public room where we take our evening meal is not very large, but it is prettily painted in fresco, and one painting of a rustic temple is well worth looking at.
The horseshoe table, where we recline and chat over our journey as we eat and drink, is tastefully decorated and gay with flowers, but the chief glory of the room is the silver plate. Publius and his wife rather pride themselves on their taste in silver, and there are some pieces that even a Roman grandee might not despise. Look at this beautiful bowl, with the symbolic figure of Africa, and these cups with the figures of the Emperor Augustus receiving homage from the barbarians, and the sacrifice to Jupiter of the Capitol. You will scarcely match them nearer than Rome. Here, again, is a curious old goblet decorated in the strangest taste. All round its sides stand figures of the Greek poets and philosophers; but they are represented by grinning skeletons. It is a regular Dance of Death, and one rather wonders that Publius and his wife care to have such a thing on their table; it seems ominous. Yet neither our kind host nor his hospitable wife realize how true the omen is, nor that before many years have passed Maxima, fleeing with her slaves from the deadly fire-shower of Vesuvius, will heap together these costly treasures, the grim skeleton goblet among them, in a corner of the wine-press room, and, perishing there beside them, be found long ages after, a skeleton herself. No thought of that terrible day crosses their minds, or ours, to-night.
Supper and conversation over, we go early to bed, for we have a long and tiresome journey to begin to-morrow. The Roman does not believe in big bedrooms, and our cubicles are tiny, and perhaps just a little stuffy, while the beds are not much bigger than our bunks on the Canopus; but weariness is the best opiate, and we sleep soundly