from the bank of elevators fifty feet away. Dressed in jeans and a fleece vest, her eyes raw from crying, Lois Geisel carried a large purse, a brown paper bag, and a newspaper under one arm. She walked with the somnambulant, zombie gate of the traumatized.
Van Teighamâs voice kept crackling in Groveâs ear: âIt was in the chapter on spatter patterns, bloodstain pathologyâthe artist renderingâI checked it again this morningâcompared it to the CSI shots from the Finnerty scene. Pretty damn uncanny. Same exact pattern in the smudge marks across the sand, same exact volume. In the alley in Minnesota, too. Same storyââ
Lois Geisel walked up to Grove and put a cold, slender hand on his arm.
Grove patted her shoulder, and made a âgimme one secondâ gesture, as Van Teighamâs drawl continued sizzling in his ear.
ââwhich got me to thinking, what about the other averages from your study? You can look at the two scenes yourself. Theyâre identical, they perfectly match the averages in your study. The MO, the body dump, the print dispersions, victimology, the whole shot. The archetypal killer. And Iâm thinking, is this even possible? Iâm wondering is this even within the realm ofââ
âOkay, Van Teigham, I get it.â Grove chewed on his lip, thinking. âWhere are you right now?â
âIâm at the Raleigh-Durham field office.â
âOkay, look, Iâll call you back. Stay put. Iâll call you back in fifteen.â
âIâll be here.â
Grove thumbed his cell off and folded it shut, then put an arm around Lois Geiselâs thin body.
She gazed up at him through strands of gray hair. Her eyes, spiderwebbed with wrinkles and running mascara, looked parboiled. She managed a halfhearted smile. âAlways working, you boys.â
âSorry about that.â
âI forgot to tell you.â She dug in her purse for something. âHe wrote you a note.â
âExcuse me?â
âItâs here somewhere. He was lucid in the ambulance for a while. Managed to scribble something before heâ¦lost consciousness.â
Grove looked at her. âTom wrote me a note?â
âHere it is.â She pulled out a folded piece of ruled paper. âHe said something about getting this to you as soon as possible.â
Grove took the note.
Lois shrugged. âI didnât even read it. Iâm not even sure itâs legible. By that point, he wasââshe swallowed the end of the sentence, her eyes welling upââhe wasââ
âHeâs gonna be okay, Lois.â Grove gave her a hug, the note crumpling in his fist. âJust a bump in the roadâheâs gonna pull through.â
From the look on her face it was clear she didnât believe a word of what Grove what saying.
For that matter, neither did he.
Â
By two oâclock that afternoon, Grove was on a commuter flight to Raleigh-Durham.
Before embarking, he called Maura from the airport, assuring her that Tom was stable and that there was nothing to worry aboutâsomething had come up that necessitated a quick trip down to North Carolina. Just for the day, no big deal. Heâd be home by suppertime. From the resignation in Mauraâs voice, Grove could tell that she was suspicious, worried, even a little aggrieved. But Grove would have to deal with that later.
Now, seated in the rear of the small Jetstream aircraft, coursing high above the steel-gray coastal plains of the Chesapeakeâone of only three passengers in the narrow cabin of twenty-nine seatsâGrove was on his own dime. He hadnât taken the time to notify Operations of this unexpected consultation. He hadnât bothered telling anybody at the Academy; luckily he had no classes. But the truth was, he wasnât even sure he was authorized to go on such a trip.
None of these factors, however, currently occupied his
Mark Russinovich, Howard Schmidt