with
me
.â
He picked up the bottle of Cutty Sark, made as if to pour some of it into a glass. âMay I offer you a drink?â
âThanks, no.â
âThe shooting, quote unquote, was a publicity stunt.â He screwed the top back on the bottle of Cutty Sark and set the bottle down. âLate one night we brought in a sculptor from Hollywood and he carved the âbullet holeâ with some sort of diamond-tipped drill. Looks quite authentic, donât you think? Then we called the
Times, Publishers Weekly
, a few others, gave them a âtipâ that this had happened. But it was all fiction.â Rourke sighed. âHis career was on a bit of a slide by the early nineties. We were hoping to pump things up a little. But . . . In this life, when the sea decides to suck you down, you sink. Thatâs a piece of cheerful wisdom for you to take away with you.â
I smiled in what I hoped wouldnât seem a patronizing way. âIâve heard there are a number of incidents,â I said. âFights with movie stars. Things like that. Were they all staged?â
Rourke studied my face for a while, then finally sighed. âOf course they were.â
âYouâd be prepared to testify to that effect?â
âIs he really going to be charged with killing Diana?â
âI donât know the answer to that.â
Rourke scowled. âItâs ridiculous. Underneath the mask, heâs a sweet man. Heâd never do a thing like that.â
âSo youâd testify? If it came to that?â
âOf course.â
âHopefully it wonât come to that.â
âIâm sure it wonât.â
I wished I was equally confident.
Eight
Since there was nothing more for me to do in New York, I took an early flight home the next morning. My cell phone rang as soon as I got off the plane in Detroit. It was Miles Dane.
âCharley?â Miles sounded shaken. âIâve been trying you and trying you.â
âIâve been on a plane. What is it, Miles?â
âI think . . . I think I made a mistake.â
â
What did you do?
â
âI talked to that woman again. Chantall Denkerberg. The cop.â
âMiles, what did I tell you? Talk to nobody without me? Remember that?â
âThatâs not what Iâm saying, Charley,â he snapped. âWhat Iâm trying to tell you is she just called and asked if I was going to be home for the rest of the day. I donât think she wants to talk.â
âSit tight, Miles. Keep your mouth shut, stay calm, and Iâll be there as soon as I can.â
âThis is scaring me a little, okay?â
âSit tight.â
Nine
The largest, most expensive houses in Pickeral Point are on Riverside Boulevard. The view of the river that separates Michigan from Canada is spectacular, the trees are large and old, and the houses are grandly massive. These days the smallest house on the road would easily run you a million five.
Riverside Drive is not the sort of place you expect to see squadrons of police cars, certainly not twice in one week. But as I pulled up in front of Miles Daneâs house, thatâs what I found.
I jumped out and found Detective Chantall Denkerberg standing on the street, her hands on her hips, a cigarillo dangling from her lip. Chief Bower was there, too, along with about fifteen patrol officers. More ominously, a black panel truck that read S-TAC in gold letters on the side was parked half a block down from Milesâs house. Standing around the van were six or eight muscular young guys wearing black BDUs and Kevlar, and carrying machine guns. Great. S-TAC was the Sheriffâs Tactical Unit, recently created by the megalomaniacal new sheriff of Kerry County. As I was pulling up, the Channel 5 news van screeched in behind me and began hoisting its satellite dish so they could broadcast live to the newsroom back in Detroit.
I breezed past