Caridad la Lebrijana—like all former whores, La Lebrijana was extremely pious—or Dómine Pérez. And two days a week, at Alatriste’s insistence, the good priest taught me grammar, a little Latin, and enough catechism and Sacred History that, as the captain said, no one would take me for a Turk or an accursed heretic.
He was a man of many contradictions. Not much later, in Flanders, I had occasion to see him kneeling with bowed head as the tercios were preparing for combat and the chaplains were going up and down the rows blessing all the men. He did not do it to affect piety but, rather, to show respect for comrades who were going off to die believing in the efficacy of the whole rigmarole. Alatriste’s God was neither placated by laud nor offended by oaths; He was a powerful and dispassionate being who did not manipulate the puppets on the stage of life, but merely observed them. And it was also He who, with reasons incomprehensible to the actors in the human comedy—why not just call it a farce—operated the stage machinery, causing lethal trapdoors to open or revolving panels to shift suddenly, sometimes imprisoning you in shackles and other times—a literal deus ex machina —extracting you from the most dire situations. It might all be due to that long-ago prime motion and efficient cause that Dómine Pérez mentioned one fine afternoon when he had been a bit too free with the sweet wine and was attempting to explain Saint Thomas’s five proofs to us. But as for the captain, his interpretation of the matter was possibly closer to what the Romans—if I am not deceived by the Latin I learned from that same dómine —called fatum.
I remember a taciturn Alatriste, when enemy artillery was creating significant lacunae in our ranks, and all around, fellow soldiers were making the sign of the cross, commending themselves to Christ and the most blessed Virgin. Suddenly you heard them reciting prayers they had learned as children, and the captain murmuring “Amen” along with them, so they would not feel alone when they fell to the ground and died. His cold, gray-green eyes nevertheless were fixed on the undulating rows of the enemy cavalry, on the musket fire issuing from the terreplein of a dike, on the smoking bombs that snaked across the ground before exploding in a burst that left the Devil well supplied. It was evident that “Amen” did not bind him in any way, as one could read in the absorbed gaze of an old soldier attentive only to the monotonous drumroll from the center of the tercio, a beat as slow and calm as the tranquil pace of the Spanish infantry and the serene beating of his heart. Because Captain Alatriste served God as he served his king. He had no reason to love God, even to admire Him, but being who he was, he afforded the deity his respect.
One day when we had taken a bellyful of steel and shot on the banks of the Merck River, near Breda, I saw Alatriste do battle for a flag and the corpse of our field marshal. And I know that although he was willing to sacrifice his hide—and for good measure mine—for that dead body sieved by musket balls, he did not give a fig for either don Pedro de la Daga or the flag. That was what was puzzling about the captain: he could show respect for a God who did not matter to him, fight for a cause in which he did not believe, get drunk with an enemy, or die for an officer or a king he scorned.
Yes, we went to mass, although the motive was far from pious. The church, as Your Mercies will undoubtedly have suspected, was the one attached to the convent of La Adoración. Las Benitas was near the palace and almost straight across from the convent of La Encarnación, which was next to the small plaza of the same name. Las Benitas’s eight-o’clock mass was in vogue, for that was where Teresa de Guzmán, the wife of the Conde de Olivares, came to worship. Furthermore, the chaplain, don Juan Coroado, had a reputation for cutting a fine figure before the altar
Brittney Cohen-Schlesinger