for a hundred years, bailiffs in their orderly appointive almost hereditary succession would cry without inflection or punctuation either âoyes oyes honorable circuit court of Yoknapatawpha County come all and ye shall be heardâ and beneath which for that same length of time too except for the seven years between â63 and â70 which didnât really count a century afterward except to a few irreconcilable old ladies, the white male citizens of the county would pass to vote for county and state offices, because when in â63 a United States military force burned the Square and the business district, the courthouse survived. It didnât escape: it simply survived: harder than axes, tougher than fire, more fixed than dynamite; encircled by the tumbled and blackened ruins of lesser walls, it still stood, even the topless smoke-stained columns, gutted of course and roofless, but immune, not one hair even out of the Paris architectâs almost forgotten plumb, so that all they had to do (it took nine years to build; they needed twenty-five to restore it) was put in new floors for the two storeys and a new roof, and this time with a cupola with a four-faced clock and a bell to strike the hours and ring alarms; by this time the Square, the banks and the stores and the lawyersâ and doctorsâ and dentistsâ offices, had been restored, and the English sparrows were back too which had never really desertedâthe garrulous noisy independent swarms which, as though concomitant with, inextricable from regularised and roted human quarreling, had appeared in possession of cornices and gutter boxes almost before the last nail was drivenâand now the pigeons also, interminably murmurous, nesting in, already usurping, the belfry even though they couldnât seem to get used to the bell, bursting out of the cupola at each stroke of the hour in frantic clouds, to sink and burst and whirl again at each succeeding stroke, until the last one: then vanishing back through the slatted louvers until nothing remained but the frantic and murmurous cooing like the fading echoes of the bell itself, the source of the alarm never recognised and even the alarm itself unremembered, the actual stroke of the bell is no longer remembered by the vibration-fading air. Because theyâthe sparrows and the pigeonsâendured, durable a hundred years, the oldest things there except the courthouse centennial and serene above the town most of whose people now no longer even knew who Doctor Habersham and old Alec Holston and Louis Grenier were, had been; centennial and serene above the change: the electricity and gasoline, the neon and the crowded cacophonous air; even Negroes passing in beneath the balconies and into the chancery clerkâs office to cast ballots too, voting for the same white-skinned rascals and demagogues and white supremacy champions that the white ones didâdurable: every few years the county fathers, dreaming of bakshish, would instigate a movement to tear it down and erect a new modem one, but someone would at the last moment defeat them; they will try it again of course and be defeated perhaps once again or even maybe twice again, but no more than that. Because its fate is to stand in the hinterland of America: its doom is its longevity; like a man, its simple age is its own reproach, and after the hundred years, will become unbearable. But not for a little while yet; for a little while yet the sparrows and the pigeons: garrulous myriad and independent the one, the other uxorious and interminable, at once frantic and tranquilâuntil the clock strikes again which even after a hundred years, they still seem unable to get used to, bursting in one swirling explosion out of the belfry as though, the hour, instead of merely adding one puny infinitesimal more to the long weary increment since Genesis, had shattered the virgin pristine air with the first loud dingdong of time and doom.
Scene
Douglas T. Kenrick, Vladas Griskevicius