something—a few words of apology, of thanks, so as not to leave this way—but I couldn't. Had she been afraid only as a woman is of a man, a strange, even threatening, unknown man, then I wouldn't have given a damn; but this was something else. I looked at her and felt anger growing in me. To grab those naked white arms and shake her…
I turned and left. The outer door yielded when I pushed it; the large corridor was almost completely dark. I was unable to find the exit to that terrace, but I did come upon cylinders filled with an attenuated bluish light—elevators. The one I approached was already on its way up; maybe the pressure of my foot on the threshold was enough. The elevator took a long time going down. I saw alternating layers of darkness, and the cross sections of ceilings; white with reddish centers, like fat on muscle, they passed upward, I lost count of them; the elevator fell, fell, it was like a journey to the bottom, as if I had been thrown down a sterile conduit, and this colossal building, deep in its sleep and security, was ridding itself of me. A part of the transparent cylinder opened, I began walking.
Hands in pockets, darkness, a hard long stride, greedily I inhaled the cool air, feeling the movement of my nostrils, my heart working slowly, pumping blood; lights flickered in the low apertures over the road, covered from time to time by the noiseless machines; there was not one pedestrian. Between black silhouettes was a glow, which I thought might be a hotel. It was only an illuminated walkway. I took it. Above me the whitish spans of structures sailed by; somewhere in the distance, above the black edges of the buildings, tripped the steadily shining letters of the news; suddenly the walkway took me into a lighted interior and came to an end.
Wide steps ran down, silvery like a mute waterfall. The desolation surprised me; since leaving Nais, I had not encountered a single passer-by. The escalator was very long. A wide street gleamed below, on either side opened passageways in buildings; beneath a tree with blue leaves—but possibly it was not a real tree—I saw people standing; I approached them, then walked away. They were kissing. I walked toward the muffled sound of music, some all-night restaurant or bar not set off from the street. A few people were sitting there. I wanted to go inside and ask about a hotel. Suddenly I crashed, with my whole body, into an invisible barrier. It was a sheet of glass, perfectly transparent. The entrance was nearby. Inside, someone began laughing and pointed me out to others. I went in. A man in a black undershirt that was actually somewhat similar to my sweater but with a full, inflated collar sat sideways at a table, a glass in his hand, and looked at me. I stopped in front of him. The smile froze on his half-open mouth. I stood still. There was a hush. Only the music played, as though from behind the wall. A woman made a strange, weak noise. I looked around at the motionless faces and left. Not until I was out on the street did I remember that I had intended to ask about a hotel.
I entered a mall. It was filled with displays. Tourist offices, sports shops, mannequins in different poses. These were not exactly displays, for everything stood and lay in the street, on either side of the raised walkway that ran down the middle. Several times I mistook the figures moving within for people. They were puppets, for advertising, performing a single action over and over again. For a while I watched one—a doll almost as large as myself, a caricature with puffed-out cheeks, playing a flute. It did this so well that I had the impulse to call out to it. Farther along were halls for games of some kind; large rainbow wheels revolved, silver pipes hanging loosely from the ceiling struck one another with the sound of sleigh bells, prismatic mirrors glittered, but everything was deserted. At the very end of the mall, in the darkness, flashed a sign: HERE HAHAHA . It