Revenant by Kat Richardson Read Free Book Online Page A

panel of painted tiles running at shoulder height of a woman in a voluminous coat walking along with us, rendered in delicate blue brushwork on white. A staircase descended past a mural of abstracted leaves and flowers in squares of green and gold. It was like walking through a museum collection. I was surprised that most of the people in the station paid it no attention, flowing along in their colorful streams of busy energy to destinations I couldn’t guess, accompanied by the ghosts of commuters past.
    “What’s with the tile?” I asked as we continued toward our platform. Determined not to force him to discuss the case, I was still hungry to talk after the long silence of eight months apart.
    “I’m not really sure,” he said, still distracted though making aneffort, “but much of Portugal was controlled by the Moors for quite a while and I would guess it’s some kind of artistic holdover of their influence. You saw the tiles on the doll hospital building and others, I’m sure. Even the street signs in most places are plaques of painted tiles mounted on the walls. It’s not as common to see the sort of signboards you and I grew up with. On the highways, yes, and in a few very modern ‘designed’ communities, but otherwise, it’s mostly the tiles.”
    It was still early for rush hour, but the station was busy and we got a little turned around finding our train and buying tickets. Once we were on the metro, the ride was only a few minutes long. It almost seemed ridiculous not to have walked it, but we did have the advantage of being in a crowd and therefore harder to spot.
    We exited the metro outside the Cais do Sodré rail station, which had another breathtaking view of the river—when you could see it past the trains and the people. I was momentarily disoriented by finding myself walking through the ghostly hull of an ancient wooden ship instead of the halls of a modern train station.
    “I’d guess this used to be a shipyard,” I said.
    Quinton shrugged. “I’m not sure, but it would make sense. Right here where the river widens before joining the sea would be ideal and Portugal was, once, the greatest maritime nation in the Western Hemisphere. That required a lot of ships. You know—Vasco da Gama, Henry the Navigator, and guys like that sailing off and discovering India and Japan and a quarter of Africa, and so on. I’ve never really been able to figure out how they went from being the masters of the seas—the greatest navigators in the world—to this.”
    “What do you mean . . . ‘this’?” I asked.
    “ Saudade —which roughly translates as ‘yearning.’ Maybe you haven’t been here long enough to notice, but there’s a sort of sadnessto the Portuguese—especially the Lisboans. Sometime after the earthquake and the loss of Brazil and before the Great Depression, they began to look backward instead of forward. Terrible things happened and although they rebuilt, they didn’t spring back. There are still ruins of the earthquake here in Lisbon—like that church you saw from Rossio. Two hundred and fifty years later, the shells of buildings, the arch of a church doorway . . . They’re still as they were, not cleared away but not really memorialized, either. If you didn’t know what you were looking at, you might think they were just urban blight—people paint graffiti on the walls as if they were the remains of burned-out tenements in South Central L.A.”
    “No wonder all the history I see replaying here is of the gruesome variety.”
    “But the Portuguese are mostly friendly folks. They’re the sort of people who fix broken dolls for kids and make pencils that smell like orange blossoms and sing sad songs about loss and yearning in tiny bars on the beach where the liquor will kick your legs out from under you. At the same time, some believe there’s a ‘Sleeping King’ who’ll come back to make things right some day, and old women crawl a tenth of a mile on their knees