Rose for Winter

Rose for Winter by Laurie Lee Read Free Book Online Page A

Book: Rose for Winter by Laurie Lee Read Free Book Online
Authors: Laurie Lee
the body, the sand was raked smooth, and we waited for the entry of the next. This is one of the great dramatic moments of every encounter; the fighters take up their positions, the hushed crowd waits, then the huge doors to the bull-pit are thrown open and the unknown beast charges forth, fresh in anger, into the ring.
    The trumpet for our third bull duly sounded, the doors were thrown open, the attendant scampered for safety, and we all waited; but nothing happened at all. The attendant crept back and peered cautiously round the corner of the open doorway. He whistled and waved his cap. Then, gaining courage, he began to leap up and down in the mouth of the bull-pit, hooting and capering like a clown. Minutes passed, and still nothing happened. Slowly, at last, and sadly, lost as a young calf, the bull walked into the ring. He looked with bewilderment around him, turned back, found the doors shut and began to graze in the sand. If ever a body lacked a vocation for martyrdom, this sorry bull was it. He had no conception of what was expected of him, nor any inborn anger; all he wished was to be back in the brown pastures under Medina and to have no part of this. And when it came to the point, he put up no fight at all and was killed at last without grace or honour, to the loud derision of the crowd.
    Every corrida is run by a President, the formal figurehead who commands the various stages of the ritual, and his box stood next to ours. It was the centre of honour and dedication, to which each torero bowed at the beginning and end of his trial. And this afternoon it was decorated by the presence of four young girls all dressed in the handsome robes of fiesta. White lace mantillas clothed their heads, and over their shoulders they wore rich black shawls embroidered with scarlet flowers. They leaned their bare brown arms on the parapet, and chattered, and turned every so often to flash their teeth at the solemn gentlemen who stood sipping sherries behind them. Silly, self-conscious, but undeniably beautiful, they were not spectators but symbols, the virgins of the feast, flower-soft among the blood, providing that contrast of youth and death so beloved by every Spaniard.
    A superb, straight-limbed young man now stepped forward into the ring and a cheer went up, for he had already earned some reputation. He was dressed, not in the heavy gold-embroidered garments of the professional matador, but in Andalusian riding-clothes – a broad black hat, short waistcoat, tight-fitting trousers and high-heeled boots. With cape folded, hat held to his breast, he faced the President’s box, bowed, raised his head, and in ringing eloquent tones dedicated the next bull to one of the virgins, whose name was Gloria. Her companions congratulated her rather noisily upon the honour, while she, huge-eyed and delicate as a doll, waved a small hand, and then went pale as death.
    The President leaned forward and gave the signal, the trumpet sounded, and the doors opened for the fourth bull. And this time there was no doubt about it. He came in like thunder, snorting and kicking up the dust, his black coat shining like a seal’s, his horned head lowered for immediate attack. Two assistants, trailing long capes, ran out and played him first, a formal prologue designed to discover the unknown temper of the bull, his way of charging, which horn he liked using, and so on. Slowly, their job done, they were beaten back towards the barriers, and the bull stood alone. Then Gloria’s champion walked out across the sand. He took up his stand, the pale sun gilding his rigid face, gave a loud clear shout to the bull, and from that moment we witnessed an almost faultless combat. Elegant, firm-footed as a dancer, but with cold courage and movements of continual beauty, the boy entirely dominated the bull. He seemed to turn the fury of the beast into a creative force which he alone controlled, a thrusting weight of flesh and bone with which he drew

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