him.â
The bartender cruised past, stopping to wipe off a table nearby. She waited until he moved away.
âIt was on the sidewalk in front of my apartment building. I was coming home from work and there he was. He was thinner than I remembered and his hair was shorter, but the time in the hospital didnât seem to have hurt him physically. He had a knife with him.â
âHe threaten you with it?â
âYes. Well, not really. He didnât wave it at me or even mention it. He just cleaned his fingernails with it. All the time he was talking he was cleaning his fingernails. It was one of those fancy ones with a lot of attachments. We used to call them Swiss Army knives.â
âWhatâd he say?â
âNothing. He just said it was good to see me and that I looked good, said he was job-hunting; small talk. He pretended we met by accident. But he was waiting for me. He offered to see me to the door of my apartment. I said that wouldnât be necessary and he didnât push it. I donât think we were talking for more than five minutes. But all the time he was cleaning his nails with that big knife.â
âAnything else?â
âI think heâs been following me. I never see him doing it. I just feel him. He means to kill me, and you people wonât do anything to stop him. He was declared sane by psychiatrists, but heâs just as crazy as he was when he went to the hospital, and heâs going to cut me up just like that man in the parking lot and no oneâs going to stop him.â
She had raised her voice. The bartender was watching them from across the room. The man stared at him until he looked away. Quietly the man said, âIâm not with the police.â
âYouâre not? But, Uncle Howard saidââ
âHe didnât say I was a cop. How much do you know about the law practice he shared with your father?â
She crushed out her cigarette and sat back. âIâm not naive. Iâve known what kind of clients they represented since I was seventeen.â
âThat would be about the time you got into moviemaking?â
âAbout then, yes.â
âI used to work for one of their clients,â he said. âMichael Boniface.â
âOh.â She played with her glass. âA leg-breaker. Well, you wonât scare Roy. They had some parts left over when they built him, and the ability to be scared was one of them. If youâre the best Uncle Howard could doââ
âI donât scare people. Not for a living. I come in when the leg-breakers give up.â
His eyes were on hers. He watched the color subside from her face. She started to get up quickly, clutching her purse. He clamped a hand on her wrist and held it.
âIâm seeing you as a favor to Klegg,â he said. âI donât need the work.â
âFine. Because if you think Iâm going to pay you toââ
âKill Blossom. Letâs stop waltzing around it. Sit down.â His fingers tightened.
Glaring, she obeyed. He withdrew the hand. She rubbed the red spots on the underside of her wrist. âViolence never solves anything.â
âIt solves almost everything. Itâs why we arm the police, and itâs why we still have wars. Have you ever thought how many lives would have been saved if some enterprising assassin had stabbed Hitler in that beer hall in Munich?â
âThat would have been sinking to his level.â
âThereâs only one level, Miss King. It belongs to the survivors.â
âIâm not a killer.â
âThatâs why you need me.â
She finished her drink and lit another cigarette, looking at him through the smoke.
âI donât even know youâre what you say you are. Maybe youâre just some grifter whoâll take my money and go and Iâll still have Roy to deal with.â
âMy name is Macklin.â
A vertical line
S. Ravynheart, S.A. Archer
Stephen G. Michaud, Roy Hazelwood