page, he could and sometimes did lose track of time. Heâd ducked home past patrols more than once.
From the chest by his bed, he took his second-best spoonâpewterâa couple of quills, a knife to trim them, ink, and three sheets of paper. He sometimes wished he followed a less expensive calling; each sheet cost more than a loaf of bread. He locked the chest once more, then hurried off to the ordinary around the corner. He sat down at the table with the biggest, fattest candle on it: he wanted the best light he could find for writing.
A serving woman came up to him. âGood even, Master Will. Whatâll you have?â
âHello, Kate. Whatâs the threepenny tonight?â
âKidney pie, and monstrous good,â she said. He nodded. She brought it to him, with a mug of beer. He dug in with the spoon, eating quickly. When he was through, he spread out his papers and got to work. Loveâs Labourâs Won wasnât going so well as he wished it would. He couldnât lose himself in it, and had no trouble recalling when curfew neared. After he went back to the lodging house, he got a candle of his own from his trunkâJack Street was already snoring in the bed next to hisâlit it at the hearth, and set it on a table. Then he started writing again, and kept at it till he could hold his eyes open no more. He had his story from Boccaccio, but this labor, won or lost, reminded him of the difference between a story and a finished play.
The next day, he performed again at the Theatre. He almost forgot he had a supper engagement that evening, and had to grab his bestspoonâsilverâand rush from his lodging house. To his relief, Christopher Marlowe and his mysterious friend hadnât got there yet. Shakespeare ordered a mug of beer and waited for them.
They came in perhaps a quarter of an hour later. The other man was no one Shakespeare had seen before: a skinny little fellow in his forties, with dark blond hair going gray and a lighter beard that didnât cover all his pockmarks. He wore spectacles, but still squinted nearsightedly. Marlowe introduced him as Thomas Phelippes. Shakespeare got up from his stool and bowed. âYour servant, sir.â
âNo, yours.â Phelippes had a high, thin, fussily precise voice.
They all shared a roast capon and bread and butter. Phelippes had little small talk. He seemed content to listen to Shakespeare and Marloweâs theatre gossip. After a while, once no one sat close enough to overhear, Shakespeare spoke directly to him: âKit says you may have somewhat of business for me. Of what sort isât?â
âWhy, the business of Englandâs salvation, of course,â Thomas Phelippes told him.
II
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âW ELL , E NRIQUE, WHAT does Captain Guzmán want to see me about today?â Lope de Vega asked.
âI think it has something to do with your report on If You Like It ,â Guzmánâs servant answered. âJust what, though, I cannot tell you. Lo siento mucho .â He spread his hands in apology, adding, âMyself, I thought the report very interesting. This Shakespeare is a remarkable man, is he not?â
âNo.â Lope spoke with a writerâs precision. âAs a man , he is anything but remarkable. He drinks beer, he makes foolish jokes, he looks at pretty girlsâhe has a wife out in the provinces somewhere, and children, but I do not think it troubles him much here in London. Ordinary, as I say. But put a pen in his hand, and all at once it is as though God and half the saints were whispering in his ear. As a playwright , âremarkableâ is too small a word for him.â
Guzmánâs door was open. Enrique went in first, to let him know de Vega had arrived. Lope waited in the hallway till Enrique called, âHis Excellency will see you now, Lieutenant.â
Lope strode into his superiorâs office. He and Baltasar Guzmán exchanged bows and
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