his face and around his mouth. He had an odd, light accent, not Russian so much as something else Drew didn’t recognize. When she asked if he had any documentation to support his assertion that the pendant had belonged to Nina Revskaya, Grigori Solodin had pursed his lips almost as if he were biting them, so that his jaw tightened toward the back of his cheeks, where he had something like dimples. “I am sorry to say that I have no documentation.”
But Drew was accustomed to this sort of tricky situation. It was part of what she loved about the auction house, the mysteries and dramas, who originally made that piano, who really painted that portrait, the conflicting versions of family histories from sisters selling their dead aunt’s collection of perfume bottles, or a father’s humidor full of sought-after cigars. What was it, though, that prevented Grigori Solodin from explaining anything more about how the necklace had come into his possession? When Drew tried to ask him, gently and without insinuation, as they sat in one of the little one-on-one meeting rooms, he said only that the pendant had been handed down to him. “I’ve owned this necklace my entire life. But for various reasons, and particularly after seeing Nina Revskaya’s amber earrings and bracelet, I’m convinced that it too once belonged to her. Or, rather, to that same amber set.”
Drew wondered how old he was—late forties, early fifties? Not of Nina Revskaya’s generation. She found it intriguing, perhaps even somehow suspect, that besides having a Russian name and livinghere in Boston, Grigori Solodin, like Nina Revskaya, was reticent, holding something back.
If Lenore sensed that there was anything to all this, it was nothing she would make time for. Her priority was not the hidden details but outward appearance: putting on a successful auction, running a solid business and a good show. Drew, though, loved the stories behind the objects, gossip she heard from clients auctioning off a relative’s estate, or of a little-known muse to one of the Group of Eight painters, or the jazz musician who owned a trumpet Miles Davis once played.
The fact was, she hadn’t at first had much interest in jewelry. As an art history major she loved paintings and drawings and once had dreams of becoming a museum curator; after graduation she had worked in a gallery in Chelsea and interned at Sotheby’s before finding a better-paid position. The job at Beller was simply the first one she found when her marriage ended and she wanted to leave New York. She had revised her professional fantasies accordingly, into a new vision of herself as one of the experts on Antiques Roadshow , cheerily informing people that the watercolor they had found in their attic was a rare one worth thousands. Her first opportunity for advancement, five months later, had been as Lenore’s associate. And so Drew had refashioned her dream once again, and begun studying for her gemologist certificate through a correspondence course.
In fact the only jewelry she wore she had purchased just three years ago, her very first auction win: a garnet ring that, due to a minor flaw in the stone, had found no bidders. Drew was able to purchase it afterward with a bit of money left her by her grandmother. It remained her only ring, the garnet small and round-cut, propped up by short prongs on a band of white gold. Drew wore it on her right ring finger, as a reminder of Grandma Riitta, whom she still spoke to in her mind sometimes. She was the only one who had not been accusatory when Drew decided to leave her marriage. “Youkept growing, didn’t you? You grew up,” was all she had said, one of the last things she said to Drew, so that Drew knew she understood.
In her mind she still heard her grandmother’s voice sometimes. Though she recalled her accent clearly, the few Finnish words Drew knew were already fading. Drew’s mother, having come to America as a toddler, had always insisted on
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