Sartor Resartus (Oxford World's Classics) by Thomas Carlyle, Kerry McSweeney, Peter Sabor Read Free Book Online Page B

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, lxxix (1964), 104–29.
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    STUDIES OF
‘SARTOR RESARTUS’
    C. Moore,
‘Sartor Resartus
and the Problem of Carlyle’s Conversion’,
PMLA
, lxx (1955), 662–81.
    G. Levine,
‘Sartor Resartus
and the Balance of Fiction’,
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, viii (1964), 131–60; a revised version appears in Levine’s
The Boundaries of Fiction: Carlyle, Macaulay, Newman
(Princeton, 1968).
    C. R. Sanders, ‘The Byron Closed in
Sartor Resartus’, Studies in Romanticism
, iii (1964), 77–108.
    J. W. Smeed, ‘Thomas Carlyle and Jean Paul Richter’,
Comparative Literature
, xvi (1964), 226–53.
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Sartor Called Resartus: The Genesis, Structure and Style of Thomas Carlyle’s First Major Work
(Princeton, 1965).
    G. H. Brookes,
The Rhetorical Form of Carlyle’s ‘Sartor Resartus’
(Berkeley, 1972).
    P. Brantlinger, ‘“Romance”, “Biography”, and the Making of
Sartor Resartus’, Philological Quarterly
, lii (1973), 108–18.
    J. Clubbe, ‘Carlyle on
Sartor Resartus’
, in
Carlyle Past and Present: A Collection of New Essays
, ed. K. J. Fielding and R. Tarr (London, 1978).
    J. A. Dibble,
The Pythia’s Drunken Song: Thomas Carlyle’s ‘Sartor Resartus’ and the Style Problem in German Idealist Philosophy
(The Hague, 1978).
    J. L. Haney, ‘“Shadow-Hunting”: Romantic Irony,
Sartor Resartus
, and Victorian Romanticism’,
Studies in Romanticism
, xvii (1978), 307–33.
    A. K. Mellor, ‘Carlyle’s
Sartor Resartus:
A Self-Consuming Artifact’, in her
English Romantic Irony
(Cambridge, Mass., 1980).
    P. A. Dale,
‘Sartor Resartus
and the Inverse Sublime: The Art of Humorous Deconstruction’, in
Allegory, Myth and Symbol
, ed. M. W. Bloomfield (Cambridge, Mass., 1981).
    B. V. Quails,
The Secular Pilgrims of Victorian Fiction: The Novel as Book of Life
(Cambridge, 1982).
    L. C. R. Baker, ‘The Open Secret of
Sartor Resartus:
Carlyle’s Method of Converting his Reader’,
Studies in Philology
, lxxxiii (1986), 218–35.
    L. H. Peterson, ‘Carlyle’s
Sartor Resartus:
The Necessity of Reconstruction’, in her
Victorian Autobiography: The Tradition of Self-Interpretation
(New Haven, 1986).
    S. Helming, ‘“The Thaumaturgic Art of Thought”: Carlyle’s
Sartor Resartus’
, in his
The Esoteric Comedies of Carlyle, Newman, and Yeats
(Cambridge, 1988).
    J. H. Miller, ‘“Hieroglyphical Truth” in
Sartor Resartus:
Carlyle and the Language of Parable’, in
Victorian Perspectives: Six Essays
, ed. John Clubb and Jerome Meckier (Newark, Delaware, 1989).
    D. Riede, ‘Transgression, Authority, and the Church of Literature in Carlyle’, in
Victorian Connections
, ed. Jerome J. McGann (Charlottesville, 1989).
    D. F. Felluga, ‘The Critic’s New Clothes:
Sartor Resartus
as “Cold Carnival”’,
Criticism
, xxxvii (1995), 583–99.
    W. Iser, ‘The Emergence of a Cross-Cultural Discourse: Thomas Carlyle’s
Sartor Resartus’
, in
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