decide not to do drugs. Weâll build from there.â
âI know why my father sent you,â Marlon said.
âWhy?â
â âCause, like, whatâs he gonna say? Be like me, work in a smelly steel plant they gonna close anyhow? Donât get no education, drop outta high school?â
âYour father has a high school diploma.â
âGED,â Marlon said. Even the old man didnât stick it out in high school. Dirk, of course, had a college degree, which meant that at this moment Marlon had to stand there and listen to him.
âYou know,â Dirk said, âyou do drugs, and I can bust you. And I will.â
âHey, you the one with the big black Mercedes with the Blow Punk stereo and the subwoofer under the back seat. You just like playing Mr. Drug Dealer, if you ask me.â
âI didnât,â Dirk said.
âYou did.â
âI didnât ask you, Marlon.â
âIâm just saying.â
Marlon could see heâd hit a chord. Not easy to do with Dirk. The man never got riled. He was cold and calculating, something he probably got from his white mother.
âI risk my life,â Dirk said, âto clean up the streets. Iâm just saying Iâd appreciate it if you did your little part.â
âThese streets ainât never gonna be clean,â Marlon told him. âIâd rather have the car.â
Â
2006
I
T hey drove to Palmer Woods, her mother silent in the passenger seat, staring blankly out the window. They were in the city limits now, but it was quite nice, streets lined with trees just starting to turn. Dirk had bought a house here on FBI pay. Now Shelly lived in it alone. Michelle was a journalist at a small paper in Texas. Why Texas Carolyn didnât know, but she could guess: Texas was far away.
Shelly had invited them. She wanted to give Tina a photo album, dozens of pictures, all of them now digitally copied, printed, and placed in a leather-bound album. What a family, Carolyn thought, where a mother doesnât have pictures of her son. Certainly there were no framed photos in the townhouse, and Carolyn didnât remember any from their home. Dirkâs was a life hidden from sight.
Carolyn asked her mother why she hadnât raised her son.
âThe world today is different than it was then. I did what I thought was best for him.â
âBy giving him away?â
Her mother turned from the window, looked at her. âYou know nothing,â she said.
âIâm just asking, Mom. You sent your son to live with someone else. Why?â
âI am through talking about it.â
⢠⢠â¢
T HE HOUSE WAS brick, elegantly laid out, with a turret at each end and a Tudor-style roof. The front door was wood and enormous. When Shelly swung it open she seemed small, though in fact she was just shy of six feet tall.
âOh, Iâm so glad you came,â Shelly said, as if she half expected that they wouldnât. She led them to the living room, lined with bookcases, each book without its dust jacket. Shelly offered drinks.
âA vodka tonic,â Tina said.
It was two in the afternoon. What the hell, Carolyn thought.
âMake it two.â
Carolyn sat on the couch with her mother. They looked at the album, lying there on the table. Her mother made no move for the book. Carolyn was curious; her mother, she guessed, was fearful. Carolyn tried to imagine what it might be like to live here, among the long shadows and all those books without covers. It held a certain appeal. Sometimes in California she felt depressed by all the light.
âAre you okay?â she asked her mother. Lately she asked this often. Carolyn felt the loss of Natalie deeply, as if some vital part of her were missing. She knew she would never be the same, but Natalie was her sister and not her child, and nothing she felt could compare to what her mother was going through.
Shelly returned with the