gave him the names of the people he had questioned and a quick summary of the banalities they had given him. Bottin's brother, he had learned, lived in Murano, where he worked in a glass factory; the only other people related to him, the family of his late wife, lived on that island as well, though no one had seemed able to tell him what they did there.
The people to whom Vianello had spoken had not been uncooperative in any way: they had all answered whatever questions he put to them. But no one had volunteered any information beyond that contained in the simplest, most direct response. There had been no extraneous detail, no release of the tide of gossip in which all social life swims. They had been clever enough not to answer in bare monosyllables and managed to suggest that they were doing everything they could to recall whatever might be of use to the police. And all the while, Vianello had known what they were doing, and it was likely that they knew he knew.
The launch turned left into the main canal leading back towards San Marco just as Vianello finished giving his account, and spread before them was the sight that had welcomed most arriving eyes ever since the great centuries of the Serenissima. Bell towers, domes, cupolas - all disported themselves for the eyes of the passengers and crew of the arriving boat, each one seeming to jostle the others aside, in the manner of small children, the better to catch the attention of the approaching visitors. The only difference between what the two policemen saw and what would have been visible to those who followed the same channel five hundred years ago was the flock of construction cranes which loomed above the city and, on top of every building, television antennae of every height and configuration.
Seeing the cranes, stark and angular,, Brunetti was struck by how seldom he ever saw them in motion. Two of them still towered above the hollow shell of the opera theatre, as motionless as all attempts to rebuild it. Thinking of the proud boast blazoned across the front page of II Gazzettmo the day after the fire, that the theatre would be rebuilt where it was and as it was, within two years, Brunetti didn't know whether to laugh or weep, a decision he had had far more than two years to consider. Popular belief, itself interchangeable with truth, had it that the motionless cranes cost the city ten million lire a day, and popular imagination had long since abandoned any attempt to calculate the final cost of restoration. Years passed, the money seeped away, and yet the cranes stood motionless, rising silently above the endless yammering and legal squabbling about who would get to perform the reconstruction.
Both of them stopped talking and watched the city draw near. No city is more self-regarding than Venice: cheap and vulgar self-portraits lined the sides of many streets; almost every kiosk peddled garish plastic gondolas; hacks whose berets falsely proclaimed them to be artists sold horrible pastels at every turn. At every step she pandered to the worst and flashed out the meretricious. Added to this was the terrible aftermath of all of these dry weeks: narrow calli that stank of urine, both dog and human; a thin layer of dust that was forever underfoot, no matter how many times the streets were swept. And yet her beauty remained unblemished, just as it remained supreme.
The pilot cut to the right and drew up in front of the Questura. Brunetti waved his thanks and jumped on to the embankment, quickly followed by Vianello.
'And now, sir?' the sergeant asked as they passed through the tall glass doors.
'Call the hospital and check when they're going to do the autopsies. I'll set Signorina Elettra to work on the Bottins.' Before Vianello could ask, he added, 'And on Sandro Scarpa, and while she's at it, Signora Follini.'
At the top of the first flight of steps, Brunetti turned off towards Patta's office, and Vianello went down to the uniformed men's office.
'Still