dust them. He wants her to dust them—to take pride in them. He talks and talks about the negative value of “perfection.” He put the word in quotes. This, he explained, was because he, himself, did not think in those terms, but it was a convenient word. He left the note on the door one morning before leaving for work, and she found it when she went into the kitchen. She asked about it. It is established that they can ask about anything. Anything at all. And that the other has to answer. She would like to ask him if he has had the phone disconnected. She can ask, but she is frightened to.
The man’s mother pays for her to take the crafts classes. In the summer, June through August, they spun the bowls (they could have made vases, plates, but she stuck with bowls); September through November they learned macramé, and for Christmas she gave all of it away—a useless tangle of knots. She had no plants to hang in them, and she did not want them hung on her walls. She likes plain walls. The one Seurat is enough. She likes to look at the walls and think. For the past four months they have been making silver jewelry. She is getting worse at things instead of better. Fatigue at having been at it so long, perhaps, or perhaps what she said to her teacher, which her teacher denied: that she is just too old, that her imagination is insufficient, that her touch is not delicate enough. She is used to handling large things: plates, vacuums. She has no feel for the delicate fibers of silver. Her teacher told her that she certainly did . He wears one of the rings she made—bought it from her and wears it to every class. She is flattered, although she has no way of knowing whether he is wearing it out of class. Like the garish orange pin Robby selected for her in the dime store, his gift to her for her birthday. He was four years old, and naturally the bright orange pin caught his eye. She wore it to the PTA meeting, on her coat, to show him how much she liked it. She took it off in the car and put it back on before coming in the house—just in case the baby-sitter had failed and he was still awake. Now, however, she would never consider taking off the pin. She wears it every day. It’s as automatic as combing her hair. She’s as used to seeing it on her blouse or dress as she is to waiting for the phone to ring.
The man says it is remarkable that they always have such good meals when she shops so seldom. She went out two days ago to the cleaners, and she showed him the stub, so he knows this, but he is still subtly criticizing her failure to go out every day. She gets tired of going out. She has to go to crafts classes Thursday, Friday and Saturday nights, and on Sunday she has to go to his mother’s house. She says this to him by way of argument, but actually she loves to go to his mother’s house. It is the best day of the week. She does not love, or even like, his mother, but she can be with Robby from afternoon until his bedtime. They can throw the ball back and forth on the front lawn (who cares if they spy on them through the window?), and she can brush his hair (she cuts it too short! Just a little longer. He’s so beautiful that the short hair doesn’t make him ugly, but he would be even more beautiful if it could grow an inch on the sides, on the top). He gives her pictures he has colored. He thinks that kindergarten should be more sophisticated and is a little embarrassed about the pictures, but he explains that he has to do what the teacher says. She nods. If he were older, she could explain that she had to make the bowls. He rebels by drawing sloppily, sometimes. “I didn’t even try on that one,” he says. She knows what he means. She says—as the man says to her about the bowls, as the crafts instructor says—that they are still beautiful. He likes that. He gives them all to her. There is not even one tacked up in his grandmother’s kitchen. There are none on her walls, either, but she looks through the
Carol Ann Newsome, C.A. Newsome