working.â
âAnything good?â
âReally good. A woman named Anne.â She smiled. âI hope I can include her segment in the show. Itâll depend on whether or not I finish the sculptural pieces.â
He pulled a copy of Texas Monthly magazine from his backpack. He laid it on the table between them. âHot off the presses.â
Her image gazed up at her from the cover. She struggled with conflicting emotions, not the least of which was the urge to hide. She had always avoided her image, and now here she was for all of Texas to see.
âWhere did you get it?â
âA patient who works at the magazine. Take a deep breath, they mailed the issue out Monday.â
She didnât comment. Couldnât find her voice.
âYou look beautiful,â Dave said.
She would never be beautiful. But it was a good shot. Interesting. Evocative. The photographer had used strong directional lighting to highlight one side of her face and cast the other in shadow.
âThe brutal, beautiful vision of Cameo,â she murmured, reading the headline under her photo. She shifted her gaze to her friend. âIâm almost afraid to look.â
âYou come off as brilliant.â
âDonât tease me.â
âI wouldnât.â He motioned toward the magazine. âGo ahead, read it.â
She did. The interviewer hit on her past, the accident, how art saved her. The remainder of the article was about her work. The process, the recent national attention and critical acclaim she had received.
Although the piece focused on her art, the magazine had included a photograph of Jane and Ian and one of her at fifteen, shortly after the accident.
She stared at the grainy image, lifted from a newspaper clipping from the time, her mouth going dry.
âThey had to include that,â she said bitterly. âThe obligatory gross-out shot.â
âStop it, Jane.â
âCanât show beauty without the beast.â
âYou canât hide from your past. Itâs who you are.â
âI look like a monster. Including it was gratuitous.â
âJane.â At his tone, she met his eyes. âLet it go.â
âI know, butââ
âLet it go.â He lowered his voice. âYour art is a reflection of who you are and what you lived through. You say so in the article. It makes sense they included it.â
She digested that, knowing he was right but hating to see herself that way. Knowing everyone was going to see her that way. âIt hurts,â she admitted.
âOf course it does.â
âI want people to look at the art, not me.â
âCanât separate the two, babe,â he said. âSorry.â
âBastard. Prick.â
âIâve been called worse.â
âBy most of the women you dated.â
âI can live with that.â
Heâd always had the ability to drag her out of herself. She smiled and slid the magazine across the table.
âKeep it.â He nudged it back, then looked her directly in the eye. âTimeâs up, Jane. Spill it.â
âSpill what?â
âWhatâs bothering you.â
âI canât simply arrange a visit with an old friend without being accused of having ulterior motives?â
He cocked an eyebrow. âLess than two weeks before your one-person exhibit opens at the Dallas Museum of Art? In a word, no.â
âSmart-ass.â
âJust plain smart, potty mouth.â
Any other time she would have smiled. âThe nightmareâs back.â
He didnât have to ask which one, he knew. âAny changes?â
âOne.â She laced her fingers. âThe boater doubles back, to make another pass at me. To finish the job. I wake up screaming.â
âHow many timesââ
âThree in two weeks.â
âAnything going on in your life besides a perfect marriage and impending fame?â
She hesitated. She