the principle that what’s out of sight is out of mind.
Sometimes the boy sticks his head into the cow’s side, hangs on by a teat, and dozes, while the bucket, mechanically gripped between his knees, sinks lower and lower till it rests on the ground. Likely as not he’ll doze on until his mother’s shrill voice startles him with an enquiry as to whether he intends to get that milking done to-day; other times he is roused by the plunging of the cow, or knocked over by a calf which has broken through a defective panel in the pen. In the latter case the youth gets tackle on to the calf, detaches its head from the teat with the heel of his boot, and makes it fast somewhere. Sometimes the cow breaks or loosens the leg-rope and gets her leg into the bucket and then the youth clings desperately to the pail and hopes she’ll get her hoof out again without spilling the milk. Sometimes she does, more often she doesn’t—it depends on the strength of the boy and the pail and on the strategy of the former. Anyway, the boy will lamb the cow down with a jagged yard shovel, let her out, and bail up another.
When he considers that he has finished milking he lets the cows out with their calves and carries the milk down to the dairy, where he has a heated argument with his mother, who—judging from the quantity of milk—has reason to believe that he has slummed some of the milkers. This he indignantly denies, and he tells her she knows very well the cows are going dry.
The dairy is built of rotten box bark—though there is plenty of good stringybark within easy distance—and the structurelooks as if it wants to lie down, and is only prevented by three crooked props on the leaning side; more props will soon be needed in the rear, for the dairy shows signs of going in that direction. The milk is set in dishes made of kerosene tins, cut in halves, which are placed on bark shelves fitted round against the walls. The shelves are not level, and the dishes are brought to a comparatively horizontal position by means of chips and bits of bark, etc., inserted under the lower sides. The milk is covered by soiled sheets of old newspapers supported on sticks laid across the dishes. This protection is necessary, because the box bark in the roof has crumbled away and left fringed holes—also because the fowls roost up there. Sometimes the paper sags, and the cream may have to be scraped off an article on Dairy Farming.
The selector’s wife removes the newspapers, and reveals a thick, yellow layer of rich cream, plentifully peppered with dust which has drifted in somehow. She runs a forefinger round the edges of the cream to detach it from the tin, wipes her fingers in her mouth, and skims. If the milk and cream are very thick she rolls the cream over like a pancake with her fingers, and lifts it out in sections. The thick milk is poured into a slop-bucket, for the pigs and calves, the dishes are “cleaned”—by the aid of a dipper full of warm water and a rag—and the wife proceeds to set the morning’s milk. Tom holds up the doubtful-looking rag that serves as a strainer while his mother pours in the milk. Sometimes the boy’s hand gets tired and he lets some of the milk run over, and gets into trouble; but it doesn’t matter much, for the straining-cloth has several sizeable holes in the middle.
The door of the dairy faces the dusty road and is off its hinges and has to be propped up. The prop is missing this morning, and Tommy is accused of having been seen chasing old Poley with it at an earlier hour. He never see’d the damn prop, never chased no cow with it, and wants to know what’s the use of always accusing him. He further complains that he’s always blamed for everything. The pole is not forthcoming, and so an old dray is backed against the door to keep it in position. There’s more trouble about a cow that is lost, and hasn’t been milked for two days. The boy takes the cows up to the paddock slip-rails and letsthe
Michelle Paver, Geoff Taylor