Self's deception
golden sun. I waited for the pounding in my side to grow weaker. The marketplace and the main street were quiet. It was too late for people to be shopping, and too early for strolling. On the houses around the marketplace a tax-advantaged historic renovation spree had left its mark. I noticed that in the niche at the corner of the city hall the stone statue of a prisoner of war was missing. He had stood there waiting for decades in a long coat, with hollow cheeks and emaciated hands. I wondered who might have taken him back home.
    Beneath the sign of the golden sun was the Ristorante Sole d'Oro. I peeked inside. Wendt and a young woman were being given menus. Across the street, in the Café Bistro Villa, I found a table by the window where I could keep my eye on the restaurant's entrance. Long after the cassata, while I was on my second espresso and second sambuca, Wendt and his companion came out onto the street. They sauntered past a few houses to the Gloria movie theater. I watched the movie from three rows behind them. What I remember of the movie is the desperation of a woman who is becoming schizophrenic, and images of grand old facades, of a table festively decked on a terrace overlooking the sea, and of the sun hanging large and red in a hazy evening sky. As I came out of the theater I was dazed by the images and let my attention slip. Wendt and his companion were gone. A thick stream of students was moving down the main street, some with bright caps and headbands, along with American, Dutch, and Japanese tourists and loud young people from the provinces.
    In the garage I waited for Wendt a long time. When he finally turned up, he was alone. He drove slowly: Friedrich-Ebert-Anlage, Kurfürstenanlage, along the Neckar River as far as Wieblingen. There he parked at the end of the Schuster-gasse. I couldn't make out the house number but saw him opening the garden gate and then closing it, walking around the house, and then disappearing down some stairs. Then the windows of the basement apartment lit up.
    I drove home through the villages. The full moon cast its white light on fields and roofs. That night the moon kept me awake for a long time, and then I dreamed about it. It shone onto a terrace with a festively decked table, and I waited in vain for guests I had not invited.

13
Yes and no
    One of the advantages of advancing years is that people believe everything you tell them. A man my age is simply too weary to try his hand as a con artist or a marriage swindler— what would he need the money for, anyway?
    When I introduced myself as Wendt's father, his landlady didn't doubt my word for a minute.
    “Ah, so you are Dr. Wendt's father!”
    Frau Kleinschmidt eyed me inquisitively. Her flowery smock enclosed a good three hundred pounds, which protruded in small bulges between the buttons. The lower buttons had got in the way of her bending down and so were open, and her blue and pink petticoat peeked out. Frau Kleinschmidt had been busy with her strawberry beds when I had gone down the stairs to Wendt's basement apartment, rung the bell, and knocked on the door in vain. When I came back up the stairs, she had called me over.
    I looked at my watch, and shook my head: “My son said he'd be home by five today. It's already a quarter past, and he's still not here.”
    “He's usually never back before a quarter to seven.”
    I sincerely hoped that today would be no exception. Twenty minutes earlier his car had still been parked outside the psychiatric hospital. I had taken up my post at four thirty, got fed up with waiting, and remembered the trustworthiness of the elderly. “I know he usually works till six or even later, but he told me he'd get away earlier today. I'm in Heidelberg on business and have to leave this evening. May I sit down on the bench for a moment?”
    “I'll be happy to let you into your son's apartment. One moment; I'll go get the keys.”
    She came back with the keys and a plate of marble cake.

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