because the ground was a long, long way down. There was no way down except to fly.
To the west, a range of hills was painted by the colors of the falling sun. Below the pillar, a ridgeline snaked out from the hills. The ridgeline terminated in a bulge where a ruined beacon tower stood, a complex of abandoned buildings arranged at the base of the spire on which she and the horse perched. To the east, the ground dropped away so precipitously that even a reeve with her experience of heights felt her breath taken away by the grandeur of the scene: A wide basin of land darkened as the eastern sky faded into purpling twilight. Clouds drifted like high islands above the land. Out there beneath the sea of night, a few lights glimmered, village watch fires lit against the gloom.
As twilight overtook them and the light changed, the twisting coil of the labyrinth came to life, marking the path to the center where the mare waited beside the pool. Water burbled up from the rock beneath. Marit licked her lips, smelling the moisture and craving its coolness.
She did not want to be caught out at the edge of the pillar once night fell, for fear of falling over the edge. That cursed mare had a knack for dumping her at the entrance to the labyrinth. She set a foot on the glittering path, then the other. Nothing happened.
With measured steps, she warily paced out the path. A pulse hummed up through her feet as the magic of the labyrinth came to life around her: a flat ocean pricked by the emerging milky-bright light of stars; a fallen stone tower rising above rocks barely visible above surging waves; the last rumbling footsteps of a thunderstorm over a tangled oak forest keeping time with flashes of blue light high in the sky; the sun drawing a golden road across a calm sea of water; mist shrouding a high peak; in a homely village of six cottages, farmers laughing together as they trundled their carts home.
For an instant she saw onto the place she actually stood: the pinnacle of rock beneath her feet, the vast bowl of land to the east, and the rose-painted hills to the west. She took another step and saw a dusty hilltop rimmed by boulders,the setting sun visible as a red smear. She faltered, chest tight as she sucked in air for courage.
When she had looked onto this place before, Lord Radas had spoken to her. Hastily, she moved on. She smelled the rotting damp of marshland but could see only the suggestion of a flat landscape against the swallowing night. As she moved through the path, she must smell and hear what lay beyond each turn because the sun had set and she was walking in layers of night, some too dark to penetrate and others still limned with the last measure of day as though she were leaping from east to west, north to south, and back again, randomly.
Not randomly. The pattern repeated. And if it repeated, she could learn it.
She took another step. Air iced her lungs. Her face and hands smarted in a bone-freezing chill. A tincture of juniper touched her nostrils. She halted, startled by the brush of that perfume, remembering Joss and how he had washed with cakes of juniper-scented soap sent twice yearly by his mother. Joss, her lover. The man she loved, even if she had never quite told him so.
Twilight is a bridge between day and night. On its span, the wind blows both into the whispering past and the silent future, and you partake of them both because you are in transition from one state to the next, a condition that recurs with every passage between night and day and night. Indeed, this condition occurs many times in the entirety of a life, which is lived out as a series of such transitions, bridges between what has gone before and what will come next.
Twilight is a presence, hard to know in its impermanence.
Twilight speaks to her in a soft foreign lisp, with a good-natured voice half amused and half cynical.
âHu! There you are. Theyâve been looking for you for a good long while now, since long before I came
Mark Twain, Sir Thomas Malory, Lord Alfred Tennyson, Maude Radford Warren, Sir James Knowles, Maplewood Books