day, guys, okay? See where we stand, what we find out. ’Cause this friggin’ beast will be back before you know it.”
“Why do you—?” I started to ask.
“There’s a bloodlust here you don’t see very often, Coop. He’s not done. That bastard tossed the head so his next vic won’t connect the dots. Whoever she is, unless we find her first, she’ll never see him coming.”
SIX
MERCER dropped me at the entrance to my high-rise apartment on the Upper East Side, and one of the doormen escorted me to the elevator. I rode alone to the twentieth floor, unlocked the door and bolted it behind me, comforted by the familiarity of my well-appointed home. It wasn’t the way most young prosecutors lived, but at moments like this, the security it offered provided a safety net for which I was enormously grateful.
I didn’t disturb the sheets. I pulled back the duvet and slipped in beneath it, knowing that I needed to calm down but aware that I was far too restless to sleep. Daylight would soon flood the large windows, so for an hour, I closed my eyes and tried to transport myself to a more tranquil surround.
Photographs on my night table allowed me a brief escape from the night’s dreadful scene and Mike’s unpleasant prophecy. My parents smiled at me from the porch of the beach home on the Caribbean island to which they had retired, and my brothers’ kids were oblivious to the camera lens as they body-surfed in the Atlantic during a visit to my summer house on Martha’s Vineyard. My lover, Luc Rouget, waved from his red convertible in the tiny village of Mougins, near the Côte d’Azur in the south of France, and thankfully didn’t seem to be an ocean away when I rested the silver picture frame next to me on the pillow.
I must have dozed despite my apprehension of revisiting visions of the body in my nightmares. My alarm sounded at seven, and I allowed myself another hour after listening to the headlines—still vague and devoid of essential facts—on the local all-news station.
At eight, the time I was usually at my desk in the criminal courthouse in lower Manhattan, I got up and showered. I dressed for the trial, in a gray, chalk-striped suit with a pleated skirt and a mantailored ivory silk blouse. Lyle Keets, the trial judge, was an old-fashioned gentleman who liked all the niceties of the practice of law as it was done forty years ago—professional attire was almost as important to him as professional conduct. He had once forbidden a colleague of mine to reenter his trial part in slacks after a juror remarked that he had been distracted throughout the proceedings by the tight panty line he could see as she stood behind the lectern.
I had missed rush hour, so I grabbed a yellow cab for the fifteen-minute ride down the FDR to the courthouse.
“Morning, Ms. Cooper,” one of the uniformed cops on security said as I passed through the metal detector at the One Hogan Place entrance to the building. “Half a day, huh?”
It was easier to smile and nod at him than expect him to have linked my night’s activity to the morning news.
My office was on the eighth floor of the massive courthouse structure, just across the hallway from the district attorney’s executive wing. I had enormous respect for Battaglia, whose long tenure and innovative policies as Manhattan’s chief prosecutor had made him a legend in law enforcement. The pioneering Sex Crimes Unit, created three decades earlier, was one of the jewels in his crown. Battaglia was not a micromanager. He left daily details of running investigations in the hands of me and my staff of dedicated lawyers, but he insisted on being kept up to speed on any high-profile matters that would affect his standing in the community or his political base.
“You’re running late.” My secretary of many years, Laura Wilkie, knew when not to waste words. I rounded the corner into my office and she followed with a handful of phone messages.
“Sorry. I thought I told
Susan Marsh, Nicola Cleary, Anna Stephens