forward to Eogan.
ON THE AIRSHIP, HEâS STARING AT ME, TALKING TO ME BECAUSE AN Elemental will be Draewulfâs downfall.
The airship shudders, and the sensation is answered by a matching shiver beneath my skin, in my veins, as Eoganâs voice emerges again through the wind and sea salt and snowcapped air. âWhen Draewulf comes to Faelen, itâll be for you. Because your Elemental ancestors were the original rulers of Faelen. And youâre last in line, Nym.â
The red raindrops are back, pounding my head again. I try to duck. To get out of the way, but their piercing glow follows me.
âThe prophecy,â one of the red drops says.
âThe queen knows of the prophecy,â another answers. âReach back further. To the beginning.â
âI donât want to go back,â I tell it. âI need to move forward.â Always forward.
âWe need the past,â the hammering drops say. âTo help see the future.â
What future? âThere is no future if he canât be stopped.â Doesnât the bloody rain know this?
âExactly.â
STICK WALLS. SLATTED LIGHT. HEAT AND STENCH AND SWEAT COATING the air, coating my lungs, which can barely breathe. Iâm gasping as if they donât know how to work yet. They squish and ache and, oh, my body aches. I sneeze and blink and suddenly Iâm staring up at a face that is brown.
A pair of stormy gray eyes blink back. I smile. They smile. Then drop water on my cheeksâand I wail because itâs startling and frightening and I donât want to see this woman cry. This woman I donât know but somehow I must be a part of. Must have come from.
And from the man hovering behind her.
Why does he look so sad too? With that white hair and those sea-blue eyes that are beautiful.
Are they mad?
Footsteps outside. Tromping. Making angry sounds. And more cries are coming from somewhere.
Why are they so angry? Is that whatâs making this couple sad?
âItâs time,â a whisper says.
The woman holds me closer, and I can feel how small I am. She squeezes me to her breast, and suddenly I want to stay here. With her. I want to nuzzle against her and sleep.
âIf weâre going to get her out, it has to be now,â the blue-eyed hovering man says.
âI know, I just . . .â
The lovely woman is crying again. Then sheâs handing me to an old lady in a scratchy cloth that makes me want to wail. Before I can, she pops a thumb in my mouth and swishes us out a small door while the sad lady stands, watching and crying, and the man holds her.
The angry footsteps are growing closer.
The old woman runs faster, weaving around hovels and trees.
âHurry,â a male voice says.
And suddenly Iâm being shoved through a tiny dirt hole beneath a tall stone fence that looks made to keep people in permanently. âPoor child,â the old lady mutters. âMay the Creator spare her.â
âHalt!â a voice yells, but itâs too late because the new male hands that have taken me from the woman and already strapped me to their chest are working to mount a horse to take me away.
âTo the Fendres Mountains,â the male whispers. âI know a man and his wife youâll be safe with there, far from this blasted internment camp.â
I lean forward and blink and try to catch my breath, but what the hulls was that?
Itâs no use, though. I canât find the air. I donât know if I ever will. I need to cough. I need to inhale and escape these memories and these red pelting raindrops that are abruptly fading fading fading.
I choke and squint and stare around me as the darkness lifts and the raindrops slow.
Not raindrops. Voices. Questions.
Red Luminescent eyes dull around me at the same moment the throbbing in my head stops.
I frown. What inâ? âWhat have you done?â I demand of the three Luminescents in front of me.
They donât
Andreas J. Köstenberger, Charles L Quarles