burning her coffin, and Sarah coming home, and stepping inside the house, and having to overcome my own fear for her sake, and I just didnât seem to be able to find any spare brain capacity to decide whether to hit Mark or hug him. I think I slipped into my bitchy-and-aloof routine instead.
When Mark stood to lead me inside, I couldnât find the words to tell him how afraid I was of the shadows in the house. My drink tasted of Fairy Liquid â it suddenly reeked of the stuff â and my skin prickled with the cold. The garden looked, for some reason, fluorescent and blue tinged and it sounded, as if I had taken acid, like it was speaking to me â a deep incomprehensible voice comingfrighteningly from the lawn. I wondered if someone had drugged my drink, and then wondered
who
had drugged my drink.
And then I felt Markâs arms around me and wondered if and when I had taken the decision to hug him.
Top Of The World
Penny comes running from the house, drying her hands on her pinny as she runs. âWhatâs happened?â she asks.
As if
I
know. I am crouched beside Jenny; her head on my lap. The left side of her body, just the left side, is twitching. Her eyes are open, but her pupils have rolled out of view.
âSome kind of fit,â I say. My voice sounds calm, which surprises me. âCall an ambulance.â
âPerhaps sheâs fainted,â Penny says. âSheâs had a hard day. I havenât seen her eat â¦â
âShe
hasnât
fainted,â I interrupt. âCall a bloody ambulance.â
Penny stands, hesitates, and then runs back inside, leaving me cradling Jenny in my arms.
I watch as she starts to foam at the mouth, a mixture of vomit and saliva. I tilt her head sideways so that it runs from her mouth onto my trousers. I wonder if I should slap her. People always seem to slap people who have fainted in films. Would that be the thing to do?
âJenny? Jenny? God, I donât know what to do Jen,â I tell her, casting around in case anyone else is present, in case someone
else
knows what to do here. But weâre all alone at the bottom of the garden.
A lump forms in my throat at the realisation that Jenny might actually be dying here â dying in my arms because I simply donât know what is wrong, or what to do.
Our lives have been so intertwined, almost obscenely so. Twenty years ago, Jenny was my lastever attempt at dating a woman; her daughter was conceived on the day Steve and I had the car crash â the day Steve died. And Tom and I saved her from her violent ex and gave her a new life in France, for a while. I took that life away by running away with Ricardo. It almost seems logical, unsurprising even that she might die now with her head on my knees. âPlease donât go, Jenny,â I say, stroking her hair, tears sliding down my cheek. âPlease hang around. I need to make it up to you.â
Penny returns, the cordless phone in one hand. âSheâs twitching,â she says into the handset. âYes. Like electric shocks. Sheâs being sick too. Vomiting, yes. Drugs? I donât think so. Has she taken any drugs?â
I wipe my eyes with my free hand. âNo, just alcohol,â I say.
âJust al ⦠yes. Yes, quite a lot. Is she diabetic?â
I shake my head. âNo, I donât think so. No, definitely not.â
âOr epileptic?â
âSheâs not anything. What we need is a fucking ambulance.â
âHe says she isnât anything and that we need ⦠yes.â
âItâs on its way already,â she tells me. âOK. Yes. Yes. Hang on.â She crouches beside me and touches my shoulder. âHe says to roll her on her side so she doesnât choke. Like they do on television. The recovering position.â
I move from beneath her and lower Jennyâs head to the ground and do as Iâm told. With her right arm bent upwards and her legs
Charles Raw, Bruce Page, Godfrey Hodgson