All they do is get us in debt.
How should she cook the daal? Chillies, of course. The more chillies she uses the less people will eat. She’ll make it go round with enough chillies from her own bush. She opens the earthenware pot and looks inside at the hoarded daal.
It’s almost gone . . . Almost gone? Yes, almost gone. Into the bellies of weevils. They look like seeds themselves. Fat on her grain, they wiggle slowly along the edge of the pot.
Her heart beats in her mouth. The next thing, her ears go deaf to her body’s sounds. She looks around. Her eyes see nothing. She remembers nothing. Not the daal or the weevils that caused all this. Her whole life can be summed up in weevils. The clouds move lazily overhead. The mustard says shrk, shrk. What should she do? She can hear everything clearly. Serve the weevils. That’s what. Grind them into a paste with the daal and serve the weevils. Weevils on her daughter’s wedding.
It is the good time of year, after the visiting dust vanishes into its permanent home somewhere in the mountains. Luckily, this time the storm didn’t take their roof, so the girls don’t have to gather too many reeds from the riverbank, and there’s little work in the fields. Mamta is still with Shanti, masking the holes in her coverlet with dainty embroidered peacocks, and popping pumpkin seeds into her mouth that her mother has slyly hidden for her fittingly behind the picture of the all-giving goddess Lakshmi. Mamta really should be checking the mustard leaf by leaf for aphids. They can destroy the whole crop in a matter of weeks.
‘I’m watching you,’ says Seeta Ram from the door. Her father has returned unexpectedly. ‘What are you doing at home? Get out there to work. And take that . . . that baby with you,’ he smacks her on the back of her head, a safe place for hidden bruising. ‘I’m watching you, just you remember that. I can still send you to the Red Bazaar if that husband of yours doesn’t turn up.’
Seeta Ram had always disliked his eldest daughter with something bordering on revulsion. The revulsion turned to hatred the night Mamta tried to beat him off her mother crying, ‘Don’t touch her, don’t you kill her . . .’ That was when he cut her rations down to a single meal a day of nothing but a dry chapatti.
Mamta looks at her father, blaming him for her whole life. I am glad I’m leaving you, and I won’t have to meet you again . What Mamta sees is a dictatorial, loveless, cruel man. What she doesn’t see is that Seeta Ram is a man without choices, a typical Gopalpur inhabitant, shaped by the destiny of the village. A powerless, brooding man, who has never hankered after things he didn’t deserve. No alternatives ever appeared on his horizon, or in his impermanent world of grass reeds and mud. His world is governed by the force of Gopalpur’s dusty winds and monsoon rains, and the amount of money he owes the Big House, a force he considers on par with an act of God.
She quickly drops Shanti in her tiny hammock and rushes outside.
She swishes through the mustard. Its flowers are high, they leave little pollen dabs all across her clothes like dainty block prints. The mustard says, shrk, shrk, dropping little yellow flowers at her feet. A butterfly snags in her billowing pallav. She removes the creature as gently as she can; still, the wings come off, leaving her holding the wriggling body that looks so much like a worm. For some reason, the death of the butterfly gives her a lump in her throat, and she has to blink hard to keep the tears from running down her face. She looks into the wind, dreaming of her husband-to-be. She judges the intensity of the storm, dallying a little longer, dancing uncharacteristically, her skirt tickling her ankles. Her younger sister Sneha, a little distance away, does her job much more diligently, lifting each leaf carefully. The bride-to-be feels a pang of guilt for work-abandoned moments.
Very secretly she harbours tremulous