to the clearing where the Rattrays’ rented trailer had stood. I stopped my car and stared out the windshield, appalled. The trailer, a very small and old one, lay crushed ten feet behind its original location. The Rattrays’ dented red car was still resting on one end of the accordianpleated mobile home. Bushes and debris were littered around the clearing, and the woods behind the trailer showed signs of a great force passing through; branches snapped off, the top of one pine hanging down by a thread of bark. There were clothes up in the branches, and even a roast pan.
I got out slowly and looked around me. The damage was simply incredible, especially since I knew it hadn’t been caused by a tornado; Bill the vampire had staged this scene to account for the deaths of the Rattrays.
An old Jeep bumped its way down the ruts to come to a stop by me.
“Well, Sookie Stackhouse!” called Mike Spencer, “What you doing here, girl? Ain’t you got work to go to?”
“Yes, sir. I knew the Rat—the Rattrays. This is just an awful thing.” I thought that was sufficiently ambiguous. I could see now that the sheriff was with Mike.
“An awful thing. Yes, well. I did hear,” Sheriff Bud Dearborn said as climbed down out of the Jeep, “that you and Mack and Denise didn’t exactly see eye to eye in the parking lot of Merlotte’s, last week.”
I felt a cold chill somewhere around the region of my liver as the two men ranged themselves in front of me.
Mike Spencer was the funeral director of one of Bon Temps’ two funeral homes. As Mike was always quick and definite in pointing out, anyone who wanted could be buried by Spencer and Sons Funeral Home; but only white people seemed to want to. Likewise, only people of color chose to be buried at Sweet Rest. Mike himself was a heavy middle-aged man with hair and mustache the color of weak tea, and a fondness for cowboy boots and string ties that he could not wear when he was on duty at Spencer and Sons. He was wearing them now.
Sheriff Dearborn, who had the reputation of being a good man, was a little older than Mike, but fit and tough from his thick gray hair to his heavy shoes. The sheriff had a mashed-in face and quick brown eyes. He had been a good friend of my father’s.
“Yes, sir, we had us a disagreement,” I said frankly in my down-homiest voice.
“You want to tell me about it?” The sheriff pulled out a Marlboro and lit it with a plain, metal lighter.
And I made a mistake. I should have just told him. I was supposed to be crazy, and some thought me simple, too. But for the life of me, I could see no reason to explain myself to Bud Dearborn. No reason, except good sense.
“Why?” I asked.
His small brown eyes were suddenly sharp, and the amiable air vanished.
“Sookie,” he said, with a world of disappointment in his voice. I didn’t believe in it for a minute.
“I didn’t do this,” I said, waving my hand at the destruction.
“No, you didn’t,” he agreed. “But just the same, they die the week after they have a fight with someone, I feel I should ask questions.”
I was reconsidering staring him down. It would feel good, but I didn’t think feeling good was worth it. It was becoming apparent to me that a reputation for simplicity could be handy.
I may be uneducated and unworldly, but I’m not stupid or unread.
“Well, they were hurting my friend,” I confessed, hanging my head and eyeing my shoes.
“Would that be this vampire that’s living at the old Compton house?” Mike Spencer and Bud Dearborn exchanged glances.
“Yes, sir.” I was surprised to hear where Bill was living, but they didn’t know that. From years of deliberately not reacting to things I heard that I didn’t want to know, I have good facial control. The old Compton house was right across the fields from us, on the same side of the road. Between our houses lay only the woods and the cemetery. How handy for Bill, I thought, and smiled.
“Sookie Stackhouse,
Ditter Kellen and Dawn Montgomery
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