sound appeared. Laughter poured out of the kitchen,
the creepy howling kind that serial killers make in horror flicks. It gave me
nothing to draw, of course, so at first I thought we had no defense against it.
When it ended, we heard a high-pitched whine like a security system gone crazy
or a knife scraping across a china plate. Just when I thought Iâd go crazy
myself, it stopped. I gasped in relief, and Tor let his breath in a long sigh.
âThat must have been hellâs hard work to create,â he said. âMaybe heâll run out of energy.â
âYou keep saying he. You donât think a woman is doing this?â
âI donât, no. I donât know why, but Iâm pretty sure it has to be a man.â
âNot some girl you jilted, huh?â
âIâve never jilted anyone. They always leave me.â
Iâd been trying to joke, but his quiet answer rang true.
âWell, sorry,â I said. âIââ
The blast from a trumpet interrupted me, a sour, out of tune, squeaking blast that played
the same four notes over and over. I clamped my hands over my ears. Tor
muttered something that I couldnât hear and got up.
He stalked into his bedroom and came back with a plastic bag of little orange cones:
earplugs. When I tried a pair, they brought the sound down to a tolerable
level. After a few more minutes, the trumpet fell silent. I took one of the
plugs out. Tor did the same.
âWe could leave, I suppose,â he said. âGo out somewhere for a drink.â
âDo you think this guyâs trying to make you do just that? Go out and leave the place
unguarded?â
âIf thatâs his game, he doesnât know about the security system. Iâm hoping heâll just give
up. Judging from what my books tell me, creating sound illusions is a lot
harder than the visual variety. Maybe heâll run out of steam.â
We put the earplugs back in when the automobiles started gunning their engines, racing
around the roof. The attack then switched to gunshots pinging off the appliances
in the bathroom. We clamped our hands over our ears to supplement the foam
plugs. When the gunshot noises stopped, the silence seemed to ring almost as
loudly as they had.
âWait a minute,â I said. âI was thinking about the things we saw yesterday. When I drew
them, they went away. That gives me an idea. Itâs not the drawing that did it.
Itâs the interpreting.â
The laughter returned to the kitchen about five minutes later. Apparently the guy
had a limited repertoire. I got up and walked over to the kitchen door. Once I
picked up the rhythm of the sounds, I could match them. I laughed like a maniac
in harmony for just a few seconds before words began tumbling out of my mouth.
I felt them as air pressure and lip movement, but except for an English word here
and there, I had no idea of what I was saying
The laughter stopped. I nearly fell, but I clutched the door jamb in time to steady
myself. When I turned around I saw that Tor had left the sofa and was standing
just a few feet away.
âYouâve got a talent for this,â he said. âDo you know what that language was?â
âWhat language?â
âThe one you were speaking. Go sit down. Youâre pale.â He went into the kitchen.
Pale and sweaty and cold, I realized, horribly cold, as if Iâd felt a blast from a
winter wind. I sank into a leather chair and slid down so I could rest my head
on the back of it. Tor returned and handed me a glass of cola.
âThe sugar in it will help,â he said.
âBut itâs so cold.â
âDrink it anyway.â
He sat down on the couch across from me. I drank about a third of the cola straight off and
burped a couple of times. Sure enough, I began to feel better, physically at
least. Mentallyâwell, something had taken over my mind and made me speak in
words I couldnât understand. Terror and
Nancy Naigle, Kelsey Browning