dim light. The menâs boots rang on the metal floor as they filed past the tarpaulined mounds of equipment, snaking their way to the steep, ladderlike staircase. The passenger capsule was set high against the side of the plane, narrow seats and no windows. The metal seatback hit at the base of his head, and on the floor there wasnât enough room to put his feet side by side. When the engines started, the noise drowned out everything. Conrad sat beside the thrumming metal wall, motionless and solitary as the sky roared past outside.
Sealed and sightless, high inside the plane, he was cargo. Roaring toward the unknown, fear was with all of them, he knew. Not exactly fear of deathâthat was a blackout, an abstraction. No one could imagine it. What they feared was mutilation. The exploded body, the missing limbs, the horribly scarred face. The wheelchair beside the Christmas tree. The C-5 roared through the dark sky; they put in earbuds and listened to music; they slept, cramped in the narrow seats.
âChartered! Thatâs good,â said Lydia.
âIt was great,â Conrad said. âReal seats, real flight attendants, and real meals. And a movie.â
âWhat did you see?â asked Lydia.
âThe Aviator,â Conrad said.
âWhat is it? We didnât see it,â Lydia said.
âMartin Scorsese, Leonardo DiCaprio,â Conrad said. âItâs about Howard Hughes.â
âAny good?â Marshall asked.
Before he could answer, Lydia broke in. âIâll tell you what you have to see,â she said, â Sideways . Itâs wonderful. Itâs so funny. About two guys going to the wine country in California and drinking too much. Red wine, itâs all about red wine.â
He hadnât seen it, of course. The last four years had been a cultural blank. Everyone here had been watching movies and reading books, and he had not. He was Rip Van Winkle. Heâd never catch up with the things he missed while heâd been living in the alternate universe. Even if he saw them, heâd see them in a different context, part of a different year.
When they left the base, they headed into Oceanside. The road was flanked by a bright lineup of national chainsâmotels and gas stations and fast-food restaurantsâbut there was a holiday air to it all. The low horizon, the moist air, the palm trees all suggested the presence of the coast. Between the buildings were glimpses of a wild, majestic sunset, scarlet banners melting into the sea, the sea a molten pewter.
The hotel was Spanish Missionâstyle, two stories high, pink adobe. Heavy wooden beams framed the doorways, with clusters of red chili peppers hanging in the corners. The lobby was pinkish beige: rug, chairs, the hard-looking sofa, the high counter at reception. The girl behind the counter didnât fit in with the Spanish colonial theme. She was Eastern Bloc, with pale skin, heavy eye shadow, and a scary smile. Her dry bleached-white hair was teased back in a rooster tail.
âWelcome,â she said to Conrad, baring a row of little gray teeth. âWelcome home. Hereâs your key.â She slid him the envelope with his computerized plastic card.
âThanks,â he said.
They were on the second floor. Conradâs room was next to his parentsâ. He slotted his key card into the lock and it flashed green. He stepped inside, pulling the door shut behind him.
He was alone in the room.
He hadnât been alone for a long time. He stood still, feeling the air settle around him, hearing the faint singing sound of silence. The room was stuffy, smelling slightly of cleaning fluid.
Against one wall were two double beds with carved and painted wooden headboards. Against another wall stood a painted wooden armoire with double doors. A wide mirror hung over a low bureau: he saw himself standing against the white curtains, the festive headboards. The sunburned face was familiar, but